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Space Between Painting

Kelsey Overstreet

United States

Painting, Acrylic on Canvas

Size: 21 W x 21 H x 2 D in

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$1,600USD

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169 Views
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Leaving a. mark means leaving a lasting impression on others... someone recently told me they thought this was a thumb print when in reality it was a shape between foliage in Yosemite that I "captured/traced"to use for later. it is about the spaces between the noise and the silence being the real cultivator of action... but then it got me thinking about the reference to a fingerprint and the marks we leave.. what kind of spaces do you want to create and what kind of marks do you leave behind

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:21 W x 21 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kelsey lives and works in San Diego. She received her MFA in 2018. “As an abstract painter she devotes herself to process (over and above product) and to the indeterminacy of the artistic endeavor- recognizing it as an analog to everyday embodiment, with its precariousness but also its beauty and grace, its movement and energy.” - Pennylane Shen- Dazed & Confucius Consulting ARTIST STATEMENT: My multi-media abstract paintings are blueprints: a visual reference for the structure of the human experience. This structure is divided into three rooms: the body, sensory experience, and thoughts and feelings. I create the blueprint for these rooms using the principles of embodiment, awareness, and the tension of yin and yang. My work is intrinsically autobiographical and focuses on the benefits of embodiment within the process of creating. It is a timeline of the personal history and evidence of being present; a photo emulsion of felt experience. If one can sit still long enough, the body will speak. My work is about showing up and listening long enough to respond, pause, wonder, change, and rest in discovery. This sensory experience is a human struggle rooted in the complex, variable relationships we all share with our bodies. Paint layers communicate depth and complexity. They draw you in, arousing a moment of pause and activating the mind to engage in deeper awareness of what lies beneath. Vulnerability and resilience are recurrent themes. The mind tends to adapt and thrive within binary mental frameworks, and my creative process engages in non-dualist mindfulness and an appreciation for beauty in all its forms. My work blends contradictions of seemingly contrary forces that may in fact be complementary or interdependent in the natural world. I often paint in pairs and consider them cohorts in traction. I use paint to reflect relationship, conflict, connection, resolve, and beauty birthed from chaos. My process uses the pacing of impulsive movements and with slow, meditative marks to portray the power and fragility of the body. The senses are an exploration of the specific meanings and stories our bodies tell. I paint in silence to heighten the other senses and increase sensitivity to the mystery and breadth of the human experience. In a way, my art is an act of sensory sharing between the artist, observer, and blueprint of what it means to be human in the world today.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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