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Spatial Figure of Instant Painting

Matchoro Guy

France

Painting, Oil on Canvas

Size: 25.6 W x 19.7 H x 0.8 D in

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About The Artwork

This work, made in the early days of summer 2014, is inspired by sensations in front of the Loire River, close to my studio. Leaning on the parapets of the bridge, I look at the river that frees me from all my imprints... Upstream, the water flows like a varnish. The polished reflections slip discreetly between the pillars. Downstream, the river splashes with impertinence. Rollers eager for freedom thunder out of the pillars and flout being tamed by the stone. A crazy race without forgetting to pick up each fragment, each moment of light. To use a common language considering that the artist is the one who has his roots in the common share to all and that painting does not exist apart from a requirement of sincerity and truth. Painting is a blinded eye that sees and sees what blinds it Painting belongs neither to knowledge nor to non-knowledge. The knowledge is an erroneous understanding. Non-knowledge is blind ignorance. For lack of being able to paint something else, preoccupied by the fact that everything we live disappears, my painting is a way of fighting against this disappearance in an acute awareness of the ephemeral, of everything that passes and all the work, for example of Cézanne, aimed at building something immutable; in Cézanne he immobilizes the water, when he shows a path there is nobody walking on this path; he never painted a sunset, he really wanted to build something immutable And it's true that in me there is also this need. It's not pride, it's simply, I think, an ontological necessity that we all have. Each of us has moments like that when we hope to escape from our limits and then from this condemnation, of course. We carry all this within us, we are made of so many contradictions. That's it.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:25.6 W x 19.7 H x 0.8 D in

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Statement: REALITY IS IN THE MANUFACTURE OF THE PAINTING. WHO: Guy Matchoro, is an autodidact artist. He lives and works in Nevers, France, where he has installed his studio since 2013. After a creative process nourished and fuelled with encounters and artistic collaborations, in particular in Kyoto, Japan, where he lived for a time, he focuses its studies towards a pictorial approach based and thought from a materiality of painting. WHAT: I began the past years a pictorial practice fully based and thought from what was strictly physical and material in painting. I have always been fascinated by the materiality of painting by its tactile side - its tactility and how this affinity should be able to finally transmit feelings and ideas which could be very very abstract. My relationship to painting is not any more in term of capture of the real-world. It is the picture in itself which is reality. What is the reality ? It's the reality of the act to paint which comes to appear there. I any more will not seek something elsewhere to nourish it or to justify it. WHERE: I placed myself by the teachings that I have learned from painters, books, museums, exhibitions, writings, but even more by traveling around the world... And the development of the practice in this line, while on the move, or working in the studio, in front of that tradition of the abstraction not like a stylistic choice but rather like a way of placing itself with respect vis-à-vis the Real. WHEN: My «job» as a painter is made up of moments. A series of moments of truth which represent actually the taking risk of the artist. The moment of truth is “of truth” when it irreversibly fixes something on which you cannot return: One moment that you cannot play again. If time is closed implacably with our incapacity to be able to play again, in the same time, it opens us to an infinite depth with freedom to produce the new one. Painting confirms what time affirms while making use as much of the daily life that moments of truth which are works of art. A time when nostalgia under the influence of memory leaves place and gives life to the merry assent of the incipient future.

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