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'Spirit of the Sea' in my Studio
'Spirit of the Sea' close up
'Spirit of the Sea' in Situ
'Spirit of the Sea' in Situ
'Spirit of the Sea' in Situ

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Spirit of the Sea Painting

Janet Gammans

United Kingdom

Painting, Acrylic on Canvas

Size: 50 W x 50 H x 1.5 D cm

Ships in a Box

$2,060USD

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A large original square canvas, seascape painting in acrylic medium. Painted in an impressionistic yet contemporary and semi abstract style. The seagull adds perspective and focal interest in relation to the swirling motion of the sea and waves, both adding movement and energy. From the coastal coll...

Year Created:

2024

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

50 W x 50 H x 1.5 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Janet works from her studio in South Cambridgeshire, as a freelance artist, supplying semi abstract, impressionistic and fine art to publishing companies worldwide. Her paintings are sold from galleries throughout the South of England and internationally via the web. She has become a much recognized artist for her subject matter and her unique creative style of work. ʺI enjoy experimenting with all mediums but watercolor and acrylic are the ones I find most satisfying. Depending on the subject, I find that it would either lend itself more to the delicate touches of watercolor or to the stronger and more vibrant colors of acrylic paint and each would allow me to translate a ‘mood’ a subject might evoke”. I have come to realize that it’s not ‘what you paint’ that is important, but ‘how you paint it’. So in my interpretation of painting a subject, I try to maintain the essence of what first inspired me to paint it. For me, what is fundamental in my paintings are light, subtlety of color, harmony, depth and drama, while still staying true to the subject. In my finished work, I hope that I have conveyed to the viewer a sense of mood, which was present at the time of painting it.ʺ

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