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Stand Your Ground Painting

Joe Waks

United States

Painting, Oil on Canvas

Size: 24 W x 18 H x 1.5 D in

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About The Artwork

THE NEO-SOCIO ABSURDIST SERIES 2010-1014 The Neo-Socio Absurdist Series seeks to expound on the central tenet of playwright Martin Esslin, whose writings focused on the meaninglessness and incongruity of life. The paintings “recontextualize” the icons and emblems common amongst disparate human civilizations by utilizing paint, text, advertising imagery and events plucked straight from the newspaper. Consumption and the ubiquity of consumer culture are at the heart of these works, but there is a pervasive ambivalence that lies within. Like the themes presented these paintings, the manner in which they are produced presents a paradox. The ideas behind the works are borne of the mundane detritus of workaday existence and at first glance look like they were printed using a mechanized process. Nevertheless, each work consists of thousands of tiny, painstakingly applied brushstrokes that reveal undulating nooks and crannies seemingly made not of fine oil color but of viscous black ooze; the kind of material shipped by barge to be dumped in some far away land, not one used to produce works of art.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 18 H x 1.5 D in

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Joe Waks is a painter and printmaker who resides in beautiful Bayonne, New Jersey. He is also an attorney who for 18 years worked at the highest levels of local, state and federal government in his beloved Garden State. Waks is an audacious commentator on the kooky times in which we live. Observant as a seasoned reporter who never leaves home without his “Little Pad of Ideas,” he doesn’t let a headline, artifact or late-night infomercial get by him. Waks is constantly unearthing the teeny-tiny things that go unnoticed in our mundane workaday world. Waks’ mixed media creations serve as a commentary on the interconnected world we inhabit. Underscoring his passion for politics and popular culture, his work reflects our universal ethos of consumption by “recontextualizing” the icons and emblems common amongst disparate human civilizations. He seeks to temper contemporary reality with a heapin’ helpin’ of humor, a super-sized serving of irony and a couple of squirts of hope. Although acquisition and the ubiquity of consumer culture are at the heart of Waks’ works, there is a pervasive ambivalence that lies within. Joe Waks is currently a printmaking resident at the Experimental Printmaking Institute at Lafayette College in Easton, Pennsylvania. He was a 2012 Fellow at the Printmaking Center of New Jersey in Branchburg and a 2008 New Jersey Print and Paper Fellow at the Brodsky Center for Innovative Editions at Rutgers University, New Brunswick. Waks has had numerous solo and group shows at galleries in New Jersey, New York, Miami and Philadelphia, including three highly successful solo exhibitions in 2010 and 2011. Waks made his New York City solo debut at R. Jampol Project(s) in May, 2013 and is currently working on a new series of paintings. He recently completed a large scale mural entitled “U-S-A-Rama,” which was commissioned by the City of Jersey City. Waks’ works are in private collections in New York City, Los Angeles and in many others in the United States and Canada. He is also in the permanent collection of the Jersey City Museum, Hudson County Community College and Ogilvy CommonHealth Worldwide, part of one of the world’s largest public relations agencies, acquired nine of his paintings for its renowned collection.

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