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Painting, Watercolor on Paper
Size: 21.5 W x 14.5 H x 0.1 D in
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The emptiness of the waters around Clarke Quay reflect the almost complete decline of tourism in Singapore-symbolic of the larger collapse worldwide. The waters, left un-churned by taxi-boats, gave me the rare opportunity to depict the soon-to-be-redeveloped Liang Court through it’s reflection. Liang Court was the first Japanese mall in Singapore. Each reflected image tells a story and offers a recording for posterity. Stories can refer to tales and to the levels of buildings. Meanings are what we make them to be. Nearby, the Ord Bridge, also known as Toddy Bridge, stands silent witness to the changing fortunes of Clarke Quay. There was a time when country spirits were sold at the foot of the bridge, hence it’s name. This is a moment of stillness before more change comes our way.
2020
Watercolor on Paper
One-of-a-kind Artwork
21.5 W x 14.5 H x 0.1 D in
Not Framed
Not applicable
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A naturalised Singaporean, Soma Pradhan comes from a family of agitators and legislators with roots in coastal Bengal. She took a Masters in Botany and initial classes in painting beside the Ganges in places trodden by the likes of Mark Twain and George Mallory. After a decade of work in Delhi in textiles and fashion with a post graduation from NIFT, she moved to Singapore. There, she learnt object design, watercolours and Chinese ink painting at NAFA, bastion of the late, great Georgette Chen. Soma works across paper, silk and silver. She has exhibited at NAFA. She has been published in The Rappahannock Review, Anatolios Magazine, 3Elements Review, Paranthesis Journal and the Lumiere Review. Soma is inspired by the works of Tolouse-Lautrec, Wassily Kandinsky, Georgia O Keefe and other influences such as New Wave cinema, DC Comics and Japanese film. She seeks to constantly challenge and redraw the boundaries of the possible. Soma believes that the innovation in art which began with Impressionism at the peak of the Industrial Age, must continue in the digital, instant social age to keep it relevant. She believes this is possible through bold experimentation in material, interpretation of movement and the use of light.
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