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Painting, Acrylic on Canvas
Size: 48 W x 48 H x 2 D in
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This work was inspired by Neruda’s Canto General poem Greetings (Saludo). I was touched specially by some of his subtle and at the same time powerful description of the Chilean geography: “growth mute as your smooth sulphur, /stentorean ash from your subterranean soul…/Every night I read your description, your rivers:/ they guide my dream, my exile, my frontier/ I touch your trains, run my hands through your/ hair,/ stop to ponder the iron skin of your geography, lower my eyes/ to the lunar sphere of wrinkles and craters…” In this painting, I use soil and little stones from Chile, which “certifies” the reality of my inspiration. At the same time, I am using the soil as a magical substance whose power can turn my imaginary journey into a real one.
Acrylic on Canvas
One-of-a-kind Artwork
48 W x 48 H x 2 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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I was born in Chile, South America. While studying design in the 1970s, I became interested in the rock art found in the many areas of my country. I visited the solitary and awe-inspiring valleys, mountains, deserts and rock formations of Chile, which are repositories of this art. I was encouraged to do further traveling research by Hans Niemeyer, a renowned archeologist. I traveled to Spain to study the pre-historic caves of Altamira in the Basque country, the home of my paternal ancestors. My work springs from this research and exploration, and my connection to an ancient past. For me, the fusion of cultures and experiences has been very prominent in my work. This extraordinary process began in April 2000, when I arrived in the U.S. for the first time. In 2020, I celebrated my 20th Anniversary of life and art in the U.S. In those 20 years, what originated from my original methods has developed into gestural paintings using free spontaneous brush strokes, to evoke a primal and expressionist mode of communication. My inspirations have been quite diverse and numerous — the rock art of Chile; the music of Czech and Chilean composers; my ancestral places in Catalonia and The Basque Country. My environmental inspiration is reflected in my 2019 series Gaiamama, from Pachamama—the Andean Mother Earth; and Gaia—the primitive goddess of the Land of the Greek. The COVID-19 pandemic has inspired my most recent series. This inspiration —as shown through my vibrant palette—reflects a significant contrast with the dark climate in which we now live. With music as my muse, and meditation as my guide, I am enveloped with these transcendental and active elements of inspiration. While painting Meditations series, I listened to The Buddha’s Tears, Armenian music performed with its ancient traditional instrument, the duduk. It imparts a powerful connection, and with it, the sounds of a collective lament inherent of the current pandemic situation. Gershwin’ Rhapsody in Blue, and currently Vivaldi’s The Four Seasons has energized and encouraged the colorful brush strokes that are both musical and gestural, as well.
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