view additional image 1
View in a Room ArtworkView in a Room Background
Summer filled with the most beautiful subtle colours, changing light and shade, its delicate scents carried on a gentle breeze fill my head with chased dreams, like this painting that can last forever
Summer II details

78 Views

3

View In My Room

Summer II (2018) Painting

Duncan Whiteman

Spain

Painting, Oil on Canvas

Size: 39.4 W x 31.9 H x 1.2 D in

Ships in a Box

$2,390

Shipping included

14-day satisfaction guarantee

Trustpilot Score

78 Views

3

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Summer filled with the most beautiful subtle colours, changing light and shade, its delicate scents carried on a gentle breeze fill my head with chased dreams, like this painting that can last forever

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 31.9 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Melton Mowbray, England, Whiteman graduated as a sculptor at Leicester Polytechnic in 1983 and moved to Madrid, Spain in 1991 where he lives and works today. Widely known for the ‘Living Sculptures’ he first developed as a student in 1982. They explore the relationship between the human figure and constructed environment and have since then been exhibited, collected and commissioned around the world. His paintings are more personal, intimate, revealing his passion for colour, light and landscape. Until recently they have remained in private hands, generously supported by a close circle of friends, family and collectors. His recent work sets out to explore through colour and light the land forms and textures he encounters capturing the spirit of a place rather than specific detail. They offer us that first glimpse as we turn our head, before we have time to focus on a scene that might be unexpected, breathtaking and beautiful, strong enough to both arouse attention and heighten our senses. Like most British artists, his approach reflects a formative training and strong narrative in European Art juxtaposed with a desire to question everything, experiment and push the boundaries of representation. In his own words ‘I see to create and create to see’ draws upon his formal training by leading artists, each contributed towards laying a solid foundation of good practice, research and clear vision. Only when the rules are understood can they be broken and experimentation unleashed; the rule book respectfully riped up or rewritten. The only limit is your imagination and the only ‘new’ rule is there are no rules! His approach to ideas has never taken the most direct or obvious route, afterall, that hardly ever leads to exciting imagery or break through discoveries. To give one example, whilst preparating to start a major stone carving (1981) he made many observation drawings, plaster maquettes and photographs. Nothing unusual about that until it was revealed that he was the model cacooned in Lycra in the photographic series ‘Tension’ (1981). They provided what he needed to complete the stone carving and openned the door to a completely new creative process by simplifying the human form and removing its identity, it also transformed the live sculptural model into the new object of his work.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands of 5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Global Selection of Emerging Art

Explore an unparalleled artwork selection by artists from around the world.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.