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View In My Room
Painting, Oil on Canvas
Size: 28 W x 40 H x 2 D in
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56 Views
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Artist featured in a collection
Summer of L © 2015 Media: oil & mastic on canvas When I was a teenager, by chance, I ended up in a house that had three huge, powerful Sorolla paintings, one of which was the view down into the deep reflection of a boat in water. I became a painter that day. This painting depicts the view of the reflection of a boat onto slightly rippling water. The dark blue hull of the boat stretches across the top of the composition, with stripes of white and pale aqua blue at the waterline, as a fat knotted rope dangles into the water. Below this, the reflection of the hull shifts towards umber/ocher/green, with the boat's white cabin reflected in braod ripples below this in a bright blue sky that fills the bottom of the painting. Layered within this whole image, reminiscent of a double exposed photograph, are the faint traces of a window set deep into a wall with a hinged shutter seen on the right. Through the four panes of the window is the interior of a room in shadow, interrupted by the reflection in the glass of a country road striped with shadows, and, on the far side of that interior, another window to a sun-soaked yellow-green roadbank in that country landscape. If you look closely you can just barely see that two of the striped shadows are of people walking hand in hand.
Oil on Canvas
One-of-a-kind Artwork
28 W x 40 H x 2 D in
Other
Yes
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Carpenter was born in 1953 in Greenville, Delaware, U.S.A. He studied with the painter Tom Bostelle near home and then went to the Rhode Island School of Design, where he earned a BFA in Film, in 1976. His work has been shown at the Museum of Contemporary Art, Denver, P.S.1, New York, and the Centre Pompidou, Paris. Carpenter's painting style is a cross between old master techniques and expressionism. He makes marks with flicks of a fully-loaded palette knife, but to a precise rendering of hue and tone in a representational image. The image is built up in countless layers of oil glazes, much as Vermeer worked, only in thick impasto. Peeking through the layers are often the transparent traces of a map or poetry. This idea is borrowed from pentimento, the inherent feature of oil paint that, as it dries, it becomes more transparent, revealing what's underneath.
Artist featured by Saatchi Art in a collection
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