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Supta Kurmasana (Sleeping Turtle Pose) Painting

Aleksandra Manzha

Kazakhstan

Painting, Oil on Canvas

Size: 31.5 W x 39.4 H x 0.8 D in

Ships in a Tube

SOLD
Originally listed for $3,230

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ABOUT THE ARTWORK

This painting is from the "Freedom" series. Freedom of movement, freedom of thought, freedom of speech. I do yoga. She gives me great freedom. The most valuable thing in life is freedom. Yoga helps me to know myself. By twisting the body in yoga postures, tremendous energy is released for awareness. The gray color of the body was not chosen by chance. Yogis froze in their postures and became like stone statues. Pink and black colors in the picture are dedicated to independent media and journalists of the Dozhd TV channel Only the highest quality oil paints and materials are used in the work. The highest quality oil that does not tarnish over time and does not deteriorate from the sun. The canvas is made to order by hand - durable, coarse-grained, environmentally friendly 100% linen. The work is sold without a frame and without a stretcher, it will be sent on a roll. The painting will be signed and a certificate of conformity will be attached to it. The work is very securely packed in a strong tube with a protective layer for safe delivery. Perhaps due to the monitor's contrast settings, the colors of the items may be slightly different.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Alexandra Manzha, I am a Siberian artist, born in 1987. I have been drawing since childhood, studied at an art school, then at the Novosibirsk State Art College. As an artist, I wonder about the position of the border between childhood and maturity, about the nature of the concept of “adulthood” and “childishness.” Why does being an adult mean losing sensitivity, the ability to perceive something new? How do “uncles” and “aunts” grow out of children who are open, dreaming, and inquisitive? At what point does the radical change occur? Where is this point of no return and where does the “little prince” go? How is it that he squanders interest in other worlds? To maintain this childish perception of the world, I am attuning my inner sensory vision. It helps me to see the intangible, subtle matter. This barely perceptible auratic substance permeates everything in this world, connecting the incompatible. I use the metamodernist technique of oscillating between and beyond multiple disparate horizons. My characters strike a delicate balance between free will and flow, sincerity and irony, integrity and duality, clarity and ambiguity, and natural and magical. They are always looking for the truth, not hoping to find it. I explore the amorphous, intangible aura through the bodily shell. An aura is a certain substance, composition, and property that has yet to be revealed. I find unique ways to have an auratic experience without being repelled by this liquid substance.

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