109 Views
2
View In My Room
Painting, Oil on Canvas
Size: 24 W x 48 H x 2 D in
Ships in a Crate
109 Views
2
As a figurative artist, I like to play with anatomy. I've painted several multi-armed, multi legged, multi-headed figures and my goal is always to make the anatomy look plausible. This piece is part of my ongoing "Upright" series. These paintings are all the same vertical composition, and although the paintings are large-ish, the figures are larger than life size.
2015
Oil on Canvas
One-of-a-kind Artwork
24 W x 48 H x 2 D in
Black
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Van Arno was born in Chattanooga, Tennessee, and grew up in St. Louis, Missouri, where he attended a Christian Science school from kindergarten through high school. He was accepted at Otis Parsons School of Design in Los Angeles, and supported himself working as a bouncer in at Club Lingerie. By the early '90s, his illustration resume included story-boarding for Robotech, deck designs for Powell Peralta, and box art for Bandai Games, but he found a niche in the music industry, where his illustration and design credits are too numerous to mention. When his focus shifted to fine art, he began to create heroic figurative works featuring religious, folk, pop culture, and mythical heroes. His work has shown nationally in Los Angeles, Seattle, Santa Fe, Nashville and New York. Internationally, Van has had solo shows at Feinkunst Kruger in Hamburg (2004), and Yves LaRoche Gallerie in Montreal (2007). His work was included in the Juxtapoz Museum exhibit, “Land Of Retinal Delights” (2008), at the Laguna Museum of Art in California. In 2010 and 2011he had work in the Riverside Art Museum. “I attempt to paint the Archetypical Moment of clarity and passion. But, above all else, imagery must be made exciting and alive. The rules of lighting, anatomy gravity and physics must be bent or broken to make the picture LOUD. That is the ultimate goal of my work.”
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