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"TRACES OF MAKING ......." week 49-2017 (140x140x4 cm) - comes ready-to-hang, no framing required. . Layers of india ink, oil and microcrystalline wax on heavy paper. The paper is laminate on a 6 mm thick hardboard backing, supported by a 34 mm thick wooden wall-mount. A matt varnish has been applied to protect the power of this work. . Signed by the artist with his initials cR on the front. Ready-to-hang, Shipped securely packaged in a wooden crate. . "TRACES OF MAKING ....." is a byproduct of one of the most important design steps of my artworks: Excess ink is penetrating the prepared canvas and is fixed on paper. The traces and marks are absolutely unindented, but not accidental.
"TRACES OF MAKING ......." week 49-2017 (140x140x4 cm) - comes ready-to-hang, no framing required. . Layers of india ink, oil and microcrystalline wax on heavy paper. The paper is laminate on a 6 mm thick hardboard backing, supported by a 34 mm thick wooden wall-mount. A matt varnish has been applied to protect the power of this work. . Signed by the artist with his initials cR on the front. Ready-to-hang, Shipped securely packaged in a wooden crate. . "TRACES OF MAKING ....." is a byproduct of one of the most important design steps of my artworks: Excess ink is penetrating the prepared canvas and is fixed on paper. The traces and marks are absolutely unindented, but not accidental.
"TRACES OF MAKING ......." week 49-2017 (140x140x4 cm) - comes ready-to-hang, no framing required. . Layers of india ink, oil and microcrystalline wax on heavy paper. The paper is laminate on a 6 mm thick hardboard backing, supported by a 34 mm thick wooden wall-mount. A matt varnish has been applied to protect the power of this work. . Signed by the artist with his initials cR on the front. Ready-to-hang, Shipped securely packaged in a wooden crate. . "TRACES OF MAKING ....." is a byproduct of one of the most important design steps of my artworks: Excess ink is penetrating the prepared canvas and is fixed on paper. The traces and marks are absolutely unindented, but not accidental.
"TRACES OF MAKING ......." week 49-2017 (140x140x4 cm) - comes ready-to-hang, no framing required. . Layers of india ink, oil and microcrystalline wax on heavy paper. The paper is laminate on a 6 mm thick hardboard backing, supported by a 34 mm thick wooden wall-mount. A matt varnish has been applied to protect the power of this work. . Signed by the artist with his initials cR on the front. Ready-to-hang, Shipped securely packaged in a wooden crate. . "TRACES OF MAKING ....." is a byproduct of one of the most important design steps of my artworks: Excess ink is penetrating the prepared canvas and is fixed on paper. The traces and marks are absolutely unindented, but not accidental.
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"TRACES OF MAKING - Babylon" Painting

Christoph Robausch

Austria

Painting, Ink on Paper

Size: 55.1 W x 55.1 H x 1.6 D in

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$2,880USD

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About The Artwork

India ink, oil, microcrystalline wax and matt clear varnish on heavy paper. The high-quality artist paper is laminated to a 6 mm thick hardboard and folded around the edges. A 34 mm thick supporting structure made of wood gives the work an effective distance from the wall. Due to the floating character of the picture panel, no further framing is necessary. The wooden construction is also equipped with an aluminum U-rail to ensure easy and safe assembly. The "TRACES OF MAKING ........" series is a peculiar, unintended in-between world that emerges in the working process of the works on canvas. The excess ink penetrates through the canvas, which has been pre-treated with microcrystalline wax, onto the underlying paper and is absorbed. The many work steps result in many layers of paint that overlap. The resulting color landscapes seem random, but are nevertheless shaped by what is happening on the canvas.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:55.1 W x 55.1 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Robausch’s artworks oscillate between painting and sculpture, texture and structure, matter and space. Based on his long experience in architecture and industrial design, he developed a special technique to build wall objects and freestanding sculptures. The essence of his objects is the specially designed supporting structure - currently - coated with aluminium. Painted with india ink and hand-sanded with diamond abrasive, his artworks create a timeless depth, with a unique atmosphere.

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