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Soviet propaganda was using children to advertise their leaders.
"Lenin and Сhildren" is a traditional theme of propaganda texts and images where Lenin communicates with children showing the best qualities ( kindness, simplicity, immediacy, wisdom) and sharing all kinds of advice and ordinances with the growing builders of communism.
Staling also liked to be spotted in the public eye, supposing a cheerful pioneer with rosy cheeks was a real advertisement of the socialist system he had built.
At the same time, visualization of the slogan “Thanks to comrade Stalin for our happy childhood” was much more effective and convincing than the fact that it was "father of the people" who gave the term “children of the enemies of the people” to humanity.
And millions of Soviet children became orphans because of the dictator's help, and many of them “enjoyed their lives” not on parades and holidays but in Siberia camps. The time came for things to get sorted out.
For the modern generation, once-formidable dictators are only unknown persons whose portraits can be dripped with paint.
Let these portraits painted by children be a reminder that any misanthropic regime is doomed to death and its leaders to oblivion.
Artwork in progress
Soviet propaganda was using children to advertise their leaders.
"Lenin and Сhildren" is a traditional theme of propaganda texts and images where Lenin communicates with children showing the best qualities ( kindness, simplicity, immediacy, wisdom) and sharing all kinds of advice and ordinances with the growing builders of communism.
Staling also liked to be spotted in the public eye, supposing a cheerful pioneer with rosy cheeks was a real advertisement of the socialist system he had built.
At the same time, visualization of the slogan “Thanks to comrade Stalin for our happy childhood” was much more effective and convincing than the fact that it was "father of the people" who gave the term “children of the enemies of the people” to humanity.
And millions of Soviet children became orphans because of the dictator's help, and many of them “enjoyed their lives” not on parades and holidays but in Siberia camps. The time came for things to get sorted out.
For the modern generation, once-formidable dictators are only unknown persons whose portraits can be dripped with paint.
Let these portraits painted by children be a reminder that any misanthropic regime is doomed to death and its leaders to oblivion.
Soviet propaganda was using children to advertise their leaders.
"Lenin and Сhildren" is a traditional theme of propaganda texts and images where Lenin communicates with children showing the best qualities ( kindness, simplicity, immediacy, wisdom) and sharing all kinds of advice and ordinances with the growing builders of communism.
Staling also liked to be spotted in the public eye, supposing a cheerful pioneer with rosy cheeks was a real advertisement of the socialist system he had built.
At the same time, visualization of the slogan “Thanks to comrade Stalin for our happy childhood” was much more effective and convincing than the fact that it was "father of the people" who gave the term “children of the enemies of the people” to humanity.
And millions of Soviet children became orphans because of the dictator's help, and many of them “enjoyed their lives” not on parades and holidays but in Siberia camps. The time came for things to get sorted out.
For the modern generation, once-formidable dictators are only unknown persons whose portraits can be dripped with paint.
Let these portraits painted by children be a reminder that any misanthropic regime is doomed to death and its leaders to oblivion.
Soviet propaganda was using children to advertise their leaders.
"Lenin and Сhildren" is a traditional theme of propaganda texts and images where Lenin communicates with children showing the best qualities ( kindness, simplicity, immediacy, wisdom) and sharing all kinds of advice and ordinances with the growing builders of communism.
Staling also liked to be spotted in the public eye, supposing a cheerful pioneer with rosy cheeks was a real advertisement of the socialist system he had built.
At the same time, visualization of the slogan “Thanks to comrade Stalin for our happy childhood” was much more effective and convincing than the fact that it was "father of the people" who gave the term “children of the enemies of the people” to humanity.
And millions of Soviet children became orphans because of the dictator's help, and many of them “enjoyed their lives” not on parades and holidays but in Siberia camps. The time came for things to get sorted out.
For the modern generation, once-formidable dictators are only unknown persons whose portraits can be dripped with paint.
Let these portraits painted by children be a reminder that any misanthropic regime is doomed to death and its leaders to oblivion.
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Thanks to Comrade Stalin for our Happy Childhood Painting

Oleksandr Balbyshev

Ukraine

Painting, Acrylic on Canvas

Size: 23.6 W x 35.4 H x 0.8 D in

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SOLD
Originally listed for $1,030
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About The Artwork

Soviet propaganda was using children to advertise their leaders. "Lenin and Сhildren" is a traditional theme of propaganda texts and images where Lenin communicates with children showing the best qualities ( kindness, simplicity, immediacy, wisdom) and sharing all kinds of advice and ordinances with the growing builders of communism. Staling also liked to be spotted in the public eye, supposing a cheerful pioneer with rosy cheeks was a real advertisement of the socialist system he had built. At the same time, visualization of the slogan “Thanks to comrade Stalin for our happy childhood” was much more effective and convincing than the fact that it was "father of the people" who gave the term “children of the enemies of the people” to humanity. And millions of Soviet children became orphans because of the dictator's help, and many of them “enjoyed their lives” not on parades and holidays but in Siberia camps. The time came for things to get sorted out. For the modern generation, once-formidable dictators are only unknown persons whose portraits can be dripped with paint. Let these portraits painted by children be a reminder that any misanthropic regime is doomed to death and its leaders to oblivion.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 35.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Oleksandr Balbyshev was born in 1985 in Ukraine, one of the biggest Soviet Republics. After graduating from The Prydniprovska State Academy of Civil Engineering and Architecture in 2012, he was working in the sphere of architecture and design. But two years later, in connection with the revolutionary events in Ukraine, a serious financial crisis began. In 2016 Oleksandr lost his job. He decided to change activities and become an artist. Oleksandr currently lives and works in Dnipro, Ukraine. The most important themes in Oleksandr’s art are male sexuality and sensuality. But it’s a means rather than an end in itself. Artist wants the viewer to see the realm of ideas in faces and bodies not only a realistic image of a human. He tries to combine in his paintings realities, as visions of worlds within worlds. They show us an image of ourselves and also hint that there is more to us than we know. Another important part of Oleksandr’s art is to modify old Soviet-era portraits of Lenin. Artist finds original portraits and sculptures of Lenin made in the Soviet era on flea markets and on announcements on the Internet. He paints on top of old portraits of Lenin fragments from famous paintings or drip paint on them, cut the canvases into pieces and glue them in a chaotic manner, let them paint them for children, he paints the sculptures in funny colors and glues them with various objects. As a result of this artistic gesture, the artist erases the propaganda and ideological meanings of the image, at the same time endowing it with decorative qualities. However, with all the fun of this manipulation, the artwork acquires new meanings, an antinomical combination of play and seriousness, prompting the viewer to go beyond the accepted paradigm. His paintings are in private collections in the USA, Canada, United Kingdom, Germany, Netherlands, France, Italy, Spain, Switzerland, Portugal, Greece, Austria, Sweden, Finland, Czech Republic, Croatia, South Africa, Thailand, Singapore, Australia, Mexico, and Japan.

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