The Battle Drummer I Painting

Traveling through the universe of the language of painting from minimalism to hyper-realism, Szax makes use of the accumulated experience and the many opportunities which are lying before him, he picks the creating method that is requested by the moment and by the task so that the visual formula constituted by colors, forms and proportions can be born. He paints. He experiments. He conveys. He thinks and works in series. At first glance, these are technically different sequences, but on further observation, they are noticeably related to each other, there are links which are supporting and building one another, ranges of tasks that are furthering and bringing forward his artistic approach and concepts. Even if the successful creation is accomplished, an eternal and obstinate duality is born: the task is very easy and hard at the same time, the creative process is as short as a moment, and it is also never-ending. A deadly serious play, a give and take game with the past, present and future. In this strict dual scheme, the delicate balance found with the help of the created image may mean the impression of instantaneous perfection both for the spectator and for the artist. Szax's goal is to find this balance as many times as possible. Drawing and painting have been accompanying him since childhood, but he is generally excited by every sort of creating process.