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8
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Painting, Acrylic on Canvas
Size: 31.5 W x 31.5 H x 0.1 D in
Ships in a Tube
$330
The Cardboard strikes back
Christophe Mercier
$330
Shipping included
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372 Views
8
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Artist featured in a collection
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
4ème variation de recyclage de formes de cartons ménagers dépliés. This is the 4th painting of a series with recycled and flattened cardboard's forms. Signed on the back (Normally, the canvas is shipped rolled in a tube. It is a simple process and does not make the painting fragile. When it arriv...
Year Created:
2017
Subject:
Styles:
Medium:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
31.5 W x 31.5 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Switzerland.
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Need more information?
Christophe Mercier
Switzerland
- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.
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