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The Chickens' Fight Painting

O Yemi Tubi

United Kingdom

Painting, Oil on Canvas

Size: 56 W x 44 H x 1 D in

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About The Artwork

"He will settle disputes among great nations. They will hammer their swords into ploughs and their spears into pruning knives. Nations will never again go to war, never prepare for battle again." Isaiah 2:4(GNB) This painting was influenced by the exchange of missiles of words between the president of USA, Donald Trump and North Korea’s president Kim Jong Un. Since World War II, America and Russia have been dancing around each other and shadow-boxing each other; too chicken to attack each other, they influence wars in other nations by being on the opposing sides of the conflict causing death and destruction. North Korea now enters the ring; frantically testing and trying their long range nuclear missiles to reach American cities. In the boxing ring, are three chickens painted with the flags of America, North Korea and Russia with nuclear missiles on their backs exchanging missiles of words. Within the boxing ring is the iconic Syrian boy dug out of the rubble of his house; too numbed to cry. He represents the many victims of wars influenced by the so called Super powers. Waiting on the ropes are two vultures with Kalashnikov rifles representing Islamic State terrorists. Islamic State terrorists are not strong enough to bring down a government. They are only scavenging on the nations that have already been destroyed by the super powers as they did in Iraq, Libya, and Syria. In the background of this painting, is the iCAN banner; “No More War” to commemorate the Nobel Peace Prize that was awarded to iCAN in 2017. The dream of the artist, of this painting is that there will be no more wars. That the nations will no longer rise up against each other and that the weapons of war will be turned to agricultural equipment

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:56 W x 44 H x 1 D in

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O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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