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As the title 'The Connection is Unstable' suggests, this current collection of paintings envisions an encrypted, virtual, technological world that is set in the Future. Without Animals as we know them, with grieving trees and plants in sorrowful lament, with increased population migration, near total habitat loss, pollution, wildfires and ever increasing human numbers; to name but a few of some of the current unfolding tragedies. Connecting to the current version of our Planet in future is via nostalgic attempts to piece together what used to be in 2020/2021 and seeing in retrospect the opportunities as well as the losses. This collection is exploring our current world through the lens of a probable future, if we continue on our current trajectories. This is underscored by the sense of humanity's profound need for deep connection to the natural world; like the Bushmen of South Africa that had a close connection to everything around them. This is a peak in to the future, where the main 'connection' is technology, which is, in reality, a barrier to real connectedness. We as a species increasingly worry if our Zoom connection falters and the connection becomes 'unstable' and all whilst losing connection with everything that truly matters and feeds our inner humanity. Following a recent Climate Change Art Residency to India, this particular painting focuses on Elephants and the Asian Elephant is an Endangered species. There are glimpses of Indian G..ds, whose identities are known by Indian people and embedded within their lives. In this case the Elephant G..d, Ganesh, symbolises overcoming obstacles. In this painting, in an imagined future, the integrity of the images is disrupted and voided by the detritus of wasteful consumerism. It is like a graffiti of the future, where Mankind tries to remember what elephants were like and what it meant to lead a life where our own destiny could be entwined with the Natural world in a life affirming way.
As the title 'The Connection is Unstable' suggests, this current collection of paintings envisions an encrypted, virtual, technological world that is set in the Future. Without Animals as we know them, with grieving trees and plants in sorrowful lament, with increased population migration, near total habitat loss, pollution, wildfires and ever increasing human numbers; to name but a few of some of the current unfolding tragedies. Connecting to the current version of our Planet in future is via nostalgic attempts to piece together what used to be in 2020/2021 and seeing in retrospect the opportunities as well as the losses. This collection is exploring our current world through the lens of a probable future, if we continue on our current trajectories. This is underscored by the sense of humanity's profound need for deep connection to the natural world; like the Bushmen of South Africa that had a close connection to everything around them. This is a peak in to the future, where the main 'connection' is technology, which is, in reality, a barrier to real connectedness. We as a species increasingly worry if our Zoom connection falters and the connection becomes 'unstable' and all whilst losing connection with everything that truly matters and feeds our inner humanity. Following a recent Climate Change Art Residency to India, this particular painting focuses on Elephants and the Asian Elephant is an Endangered species. There are glimpses of Indian G..ds, whose identities are known by Indian people and embedded within their lives. In this case the Elephant G..d, Ganesh, symbolises overcoming obstacles. In this painting, in an imagined future, the integrity of the images is disrupted and voided by the detritus of wasteful consumerism. It is like a graffiti of the future, where Mankind tries to remember what elephants were like and what it meant to lead a life where our own destiny could be entwined with the Natural world in a life affirming way.
As the title 'The Connection is Unstable' suggests, this current collection of paintings envisions an encrypted, virtual, technological world that is set in the Future. Without Animals as we know them, with grieving trees and plants in sorrowful lament, with increased population migration, near total habitat loss, pollution, wildfires and ever increasing human numbers; to name but a few of some of the current unfolding tragedies. Connecting to the current version of our Planet in future is via nostalgic attempts to piece together what used to be in 2020/2021 and seeing in retrospect the opportunities as well as the losses. This collection is exploring our current world through the lens of a probable future, if we continue on our current trajectories. This is underscored by the sense of humanity's profound need for deep connection to the natural world; like the Bushmen of South Africa that had a close connection to everything around them. This is a peak in to the future, where the main 'connection' is technology, which is, in reality, a barrier to real connectedness. We as a species increasingly worry if our Zoom connection falters and the connection becomes 'unstable' and all whilst losing connection with everything that truly matters and feeds our inner humanity. Following a recent Climate Change Art Residency to India, this particular painting focuses on Elephants and the Asian Elephant is an Endangered species. There are glimpses of Indian G..ds, whose identities are known by Indian people and embedded within their lives. In this case the Elephant G..d, Ganesh, symbolises overcoming obstacles. In this painting, in an imagined future, the integrity of the images is disrupted and voided by the detritus of wasteful consumerism. It is like a graffiti of the future, where Mankind tries to remember what elephants were like and what it meant to lead a life where our own destiny could be entwined with the Natural world in a life affirming way.
As the title 'The Connection is Unstable' suggests, this current collection of paintings envisions an encrypted, virtual, technological world that is set in the Future. Without Animals as we know them, with grieving trees and plants in sorrowful lament, with increased population migration, near total habitat loss, pollution, wildfires and ever increasing human numbers; to name but a few of some of the current unfolding tragedies. Connecting to the current version of our Planet in future is via nostalgic attempts to piece together what used to be in 2020/2021 and seeing in retrospect the opportunities as well as the losses. This collection is exploring our current world through the lens of a probable future, if we continue on our current trajectories. This is underscored by the sense of humanity's profound need for deep connection to the natural world; like the Bushmen of South Africa that had a close connection to everything around them. This is a peak in to the future, where the main 'connection' is technology, which is, in reality, a barrier to real connectedness. We as a species increasingly worry if our Zoom connection falters and the connection becomes 'unstable' and all whilst losing connection with everything that truly matters and feeds our inner humanity. Following a recent Climate Change Art Residency to India, this particular painting focuses on Elephants and the Asian Elephant is an Endangered species. There are glimpses of Indian G..ds, whose identities are known by Indian people and embedded within their lives. In this case the Elephant G..d, Ganesh, symbolises overcoming obstacles. In this painting, in an imagined future, the integrity of the images is disrupted and voided by the detritus of wasteful consumerism. It is like a graffiti of the future, where Mankind tries to remember what elephants were like and what it meant to lead a life where our own destiny could be entwined with the Natural world in a life affirming way.
As the title 'The Connection is Unstable' suggests, this current collection of paintings envisions an encrypted, virtual, technological world that is set in the Future. Without Animals as we know them, with grieving trees and plants in sorrowful lament, with increased population migration, near total habitat loss, pollution, wildfires and ever increasing human numbers; to name but a few of some of the current unfolding tragedies. Connecting to the current version of our Planet in future is via nostalgic attempts to piece together what used to be in 2020/2021 and seeing in retrospect the opportunities as well as the losses. This collection is exploring our current world through the lens of a probable future, if we continue on our current trajectories. This is underscored by the sense of humanity's profound need for deep connection to the natural world; like the Bushmen of South Africa that had a close connection to everything around them. This is a peak in to the future, where the main 'connection' is technology, which is, in reality, a barrier to real connectedness. We as a species increasingly worry if our Zoom connection falters and the connection becomes 'unstable' and all whilst losing connection with everything that truly matters and feeds our inner humanity. Following a recent Climate Change Art Residency to India, this particular painting focuses on Elephants and the Asian Elephant is an Endangered species. There are glimpses of Indian G..ds, whose identities are known by Indian people and embedded within their lives. In this case the Elephant G..d, Ganesh, symbolises overcoming obstacles. In this painting, in an imagined future, the integrity of the images is disrupted and voided by the detritus of wasteful consumerism. It is like a graffiti of the future, where Mankind tries to remember what elephants were like and what it meant to lead a life where our own destiny could be entwined with the Natural world in a life affirming way.
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The Connection is Unstable 1 Painting

Katy Sayers Green

United Kingdom

Painting, Acrylic on Canvas

Size: 31 W x 39 H x 1 D in

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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

As the title 'The Connection is Unstable' suggests, this current collection of paintings envisions an encrypted, virtual, technological world that is set in the Future. Without Animals as we know them, with grieving trees and plants in sorrowful lament, with increased population migration, near total habitat loss, pollution, wildfires and ever increasing human numbers; to name but a few of some of the current unfolding tragedies. Connecting to the current version of our Planet in future is via nostalgic attempts to piece together what used to be in 2020/2021 and seeing in retrospect the opportunities as well as the losses. This collection is exploring our current world through the lens of a probable future, if we continue on our current trajectories. This is underscored by the sense of humanity's profound need for deep connection to the natural world; like the Bushmen of South Africa that had a close connection to everything around them. This is a peak in to the future, where the main 'connection' is technology, which is, in reality, a barrier to real connectedness. We as a species increasingly worry if our Zoom connection falters and the connection becomes 'unstable' and all whilst losing connection with everything that truly matters and feeds our inner humanity. Following a recent Climate Change Art Residency to India, this particular painting focuses on Elephants and the Asian Elephant is an Endangered species. There are glimpses of Indian G..ds, whose identities are known by Indian people and embedded within their lives. In this case the Elephant G..d, Ganesh, symbolises overcoming obstacles. In this painting, in an imagined future, the integrity of the images is disrupted and voided by the detritus of wasteful consumerism. It is like a graffiti of the future, where Mankind tries to remember what elephants were like and what it meant to lead a life where our own destiny could be entwined with the Natural world in a life affirming way.

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Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31 W x 39 H x 1 D in

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Katy is a London based fine artist. Her most recent collection takes a sideways look at bio-diversity collapse and climate change. It focuses on Trust and Betrayal between humanity and nature. Katy's artwork could be described as a kind of Figurative Abstraction and the starting point is the observable natural world. Current mediums are oil and acrylic paint on canvas. Katy has a track record of creating compelling images that speak to the heart, soul and mind. Katy has stories to tell. Enquiries welcome and visits to North London studio by arrangement. Call 07951 415699.

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