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A young boy finds unexpected allies as he reconstructs his father’s mysterious machine.
Inspired by a photography from a Russian boy in the Soviet Union that my grandmother gave to me before she passed.
A young boy finds unexpected allies as he reconstructs his father’s mysterious machine.
Inspired by a photography from a Russian boy in the Soviet Union that my grandmother gave to me before she passed.
A young boy finds unexpected allies as he reconstructs his father’s mysterious machine.
Inspired by a photography from a Russian boy in the Soviet Union that my grandmother gave to me before she passed.

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The Giver Painting

Yvana Samandova

France

Painting, Acrylic on Canvas

Size: 72 W x 100 H x 5.1 D cm

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$1,968USD

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A young boy finds unexpected allies as he reconstructs his father’s mysterious machine. Inspired by a photography from a Russian boy in the Soviet Union that my grandmother gave to me before she passed.

Year Created:

2018

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

72 W x 100 H x 5.1 D cm

Ready to Hang:

Not Applicable

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

Living and working in Paris – painter, visual artist, video maker - performer and photographer, I am interested in “Open Work", as a parallel to Ezra Pound’s note that each artist is always a Troubadour. In my approach to visual arts I am combining two different sensibilities. In one hand I am a colorist, filling the void of our perception. On the other hand I explore artistic presentations of philosophical concepts. The dialectics of those two approaches results in never ending process of creation, since, the new technologies, which facilitate "versioning", collaboration and "forking" fit perfectly the concept of Umberto Eco's "open work". To be more specific - art is communication that “happens” more intensively in collaboration, where the “inbetweener” space is established by two or more artists as a declination of rigged by conflits "Friendship Studies". My recent work is based on research considering everything that imply authorship, fragmented or composed, thinking as tinkering, "bricolage" or glitch (as a third author) – the late revealing the unintentional functioning of the brain and the human memory as well as bugged software algorithms and hardware. The language itself, in all its manifestations, took a preponderant place in my visual research. My exploitation of digital technologies is influenced by the possibility of keeping the track of that specific multi layer cooperation, multi level superposition of human and the machine.

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