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The Gully,Ladmanlow,derbyshire 36x40" Painting

Andrew Macara

United Kingdom

Painting, Oil on Other

Size: 40 W x 36 H x 2 D in

This artwork is not for sale.

619 Views

2

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

snowscape . 36x40"

Year Created:

2012

Subject:
Styles:
Mediums:

Painting, Oil on Other

Rarity:

One-of-a-kind Artwork

Size:

40 W x 36 H x 2 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

. Born 1944, Ashbourne, Derbyshire.Work selected and/or described by Anish Kapoor and Willian Gear. Andrew Macara studied contemporary modern British Art for a short period with Leonard Fuller at the St Ives School of Painting amongst the Cornwall Art Galleries but considers himself to be predominantly a self taught artist. Andrew Macara today has one of the most distinctive styles of present day contemporary British Artists. He is now established as a very collectible contemporary figurative artist and over the years his paintings have proved to be a good British Art Investment.Andrew Macara travels extensively gathering images for paintings from around the world. Other subjects with strong demand are Andrews British seaside paintings. Recently he has been exploring a new subject matter studing reflections, involving a more abstracted painting style. In 2007 I began a completely new series of paintings. These may loosely be described as Reflections, as the paintings are based on studying the surfaces of water. The surfaces of both water and ice, offer a new way in which to observe the natural world. These surfaces may also have debris, leaves, blossom and algae upon them are we observing the reflections or looking directly at the objects? I have not wished to make this too obvious or certain. Also I have manouvered and pushed around the image in order to respect the two dimensions of the picture plane and hope to tread a fine line between the figurative and the abstract".

Artist Recognition
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