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To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.
To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.
To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.

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View In My Room

The Listening #3 Painting

Justin Mills

Thailand

Painting, rubber-modified bitumen on Canvas

Size: 15.7 W x 15.7 H x 1.6 D in

Ships in a Box

SOLD
Originally listed for $1,480

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ABOUT THE ARTWORK

To me, paintings are not silent and music is not invisible, so painting is just as much about listening as it is about seeing. I’m doing something that I feel is still valid and viable, I’m making images that I’ve never seen before, paintings with a quiet intensity, both compelling and enduring, with an effect that is permanently instantaneous. I like images that baffle me, that make me feel compelled to look at them again and again, things capable of many reinterpretations. Within the working process I have a preference for open simplicity and spontaneity, and a will to try new things. This enables me to rehearse attitudes towards everything that matters in the rest of my life, everything I encounter in this vast, mysterious, crazy, world.

DETAILS AND DIMENSIONS
Painting:

rubber-modified bitumen on Canvas

Original:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1964, Salisbury, Wiltshire, UK Living and working in Thailand since 1996

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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