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The Outpost of Promise Painting

Don Keene

United States

Painting, Oil on Wood

Size: 54 W x 60 H x 2 D in

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77 Views
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About The Artwork

In this painting the scene of a procession is underway, moving toward and past the viewer. The main player, embodying the persona of an Old Testament-like heroic, multi-cultural savior, or loosely rendered and contextualized "pied piper," leads others (an old man, a young child) toward a fictionalized promised land, while other less enthusiastic, even cynically minded characters watch but don't join the parade. Coming unavoidably to mind, and serving as the backdrop for the painting, is our desire as a people during these troubled times of Covid-19 for a leader to show us the way out of the fog of danger and depression, and into the light of the renewal and reawakening we so desire. The title, "The Outpost of Promise," which is appropriated from a 2009 album by the Australian indie rock band, "Halfway," alludes to the notion that the savior or saving force is not easily found, but that its promise to be there for us when we most need it is irrefutable, especially when sought with humility and good intentions for our shared human commonality. This work is part of my ongoing series examining the struggle of being human. Influences, among others, include Max Beckmann, Edvard Munch, Bob Thompson, George McNeil, Richard Diebenkorn, David Park, Francesco Clemente, R.B. Kitaj and Willem de Kooning.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:54 W x 60 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Don Keene's paintings are bold expressionistic renditions of a ‘Red Light’ district that lurks in the subconscious. Evading time, place and definition, these vignettes represent a freedom of will from judgment while the colors and lines that portray unabashed passions saturate the composition with frenzied force. - D. Domick Lombardi Don Keene is a product of Pasadena's Art Center College of Design and the graduate program in Studio Art at The College of New Rochelle. His concerns with the human figure are less illustrative than they are metaphoric. His abstract accumulations of paint and form investigate the relationships we have with our bodies. The investigative dialogue he orchestrates deals with how and why human experience is confounded by primordial passion and desire within a free society that confuses sensuality, sexually charged imagery, emotive content, feelings of personal tension and self-consciousness, and the role of eroticism and pornography. It is the incongruous nature of this content that, for Keene, is in need of exploration. The resultant paintings and drawings on canvas and paper are purportedly abstract yet feel sexual. - William C. Maxwell

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