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'The State' Painting

C Carlisle

United Kingdom

Painting, Oil on Wood

Size: 35.4 W x 47.2 H x 1.2 D in

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About The Artwork

Final piece in the series 'Death of Pride' focuses on the anti-gay laws currently coming out in Russia. This piece conveys the role of the government in the treatment of gay people. The passing of a law which will criminalise anyone who shows encouragement for gay pride, conveys they accept this orientation as normal, or the act of exposing oneself as being gay, encourages the repression of homosexuality. The artist believes that such legislation encourages homophobia by effectively describing it as being wrong, and by squashing any effort that opposes this view.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:35.4 W x 47.2 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

b. 1992, Glasgow, Scotland, UK. Currently living and working in Dundee, Scotland, UK. . My work engages with theories of gender and identity, focusing upon capturing the facial expressions and body language of my subject. I predominantly use self-portraiture as a means of exploring this. The autobiographical element in representing my own identity of sitting between the binary of gender, opens a discussion towards the very boundaries of gender itself. In this sense, the particular can become the universal. This encompasses the representation of gender anxiety and presentation, the psychological disturbance and pressure to conform, alienation and the sense of performance as well. My perspective holds homage to writers within gender/queer theory, such as Judith Butler and Riki Wilchins, with their work upon emancipating gender from sex and illuminating the existence of identities departing from heterosexuality and gender conformity. My work is typically rendered in the medium of oil paint, allowing the creation of a layering effect, fast gestural mark making, and most importantly it is conducive towards a mediation between the body represented in the paintings and the viewer observing such, creating a dialogue between the experience of one’s own body in relation to others.

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