VIEW IN MY ROOM
'The Story Of I' Painting
Netherlands
Painting, Watercolor on Paper
Size: 33.1 W x 23.4 H x 0.3 D in
Ships in a Box
About The Artwork
THE STORY OF ‘I’ I aim to depict a way of seeing that illustrates how I interpret the world around me. In this process I would like to fully immerse myself in the work without being visible. The “I” plays hide and seek. When I paint I expose and simultaneously disguise myself. I create to expose what lies beyond my surface. Sharing my work enables me to project my vision of the world around me on those that inhabit that world. Their eyes looking through my eyes. Communicating with the world around me is not easy. By sharing that what I create, letting go of the visual in my work and appraoch the invisible, I understand my work better. I have never considered that what I was taught to see is more valuable than how I perceived things myself. I am still struggling with this sense of reality, as I believe that reality will not allow itself to be changed by anything else than the human mind. I have understood the necessity to research to what extent my reality can reach a level of truth through my work.
Details & Dimensions
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:33.1 W x 23.4 H x 0.3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
DEGANN(1989) studio in Amsterdam, The Netherlands. My paintings and watercolours are vivid and aesthetically liable images that sometimes disguise an atrabilious element. Mental vulnerability and transience are central themes in the work. The multiple layers in the paintings create an elusive form. Like light, the works are simultaneously fleeting and present. This corresponds with my perception of paintings as breathing organisms. This is why they are not made as mere artistic statements, but originate from a sincerely felt inner necessity. I search for shapes that intrigue and convince me. In my portraits I do not paint faces, but heads, which for me creates a different sense of intimacy. I see the face as a structured spatial order covering the head, which houses the soul. I don’t work towards mimesis but towards a possible temporary essence of the portrayed, which is often introspective and removed. The transparency of the layers of paint creates discolorations on the surface. These aqueous spots that deform the shape of the heads approach that what is inside, the intimacy of the sitter’s spirit.
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