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The Way Subject: security and distrust Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Aluminium

Size: 48 W x 25.2 H x 1 D in

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About The Artwork

The title of this painting is "The Way Subjectus: security and distrust", and is a piece of aluminum foil that has been abraded using abrasive tools and colored in certain areas with acrylic drip. It is inspired by a theme of the ancient philosophy of Sparta (but with modern elements as we observed in girls: both wear modern, one is rocking in a swing, and the other falls or seems to be jumping) about a tradition long before Homer, in which worshiped the goddess Thetis by dances in his honor with canticles and offerings (fees). Their choreographers stood Alcman who can believe comes from their poetic songs the old concept of ousia or entity, of which Aristotle later came to study and revealed as a key principle in its philosophy and others like it more later. The highlight of this principle is the way by means of which the maiden (subjectus) dance in their March to thetis to deliver their offerings, the pole (destination), etc. On this tour Alcman plays Subjectus with a double character, dual or split, what in our society later become "subject" and "be", two antagonistic ways which live with the contemporary man today in humanity, one as default and the other as a virtue. This piece was exhibited at the Agora Gallery in New York from 07 to February 27, 2014. Dimensions: 64 X 122 cm; Technique: Industrial paint on aluminum with abrasive wear Board; Year: 2013. It requires no frame and is signed on the back.

Details & Dimensions

Painting:Acrylic on Aluminium

Original:One-of-a-kind Artwork

Size:48 W x 25.2 H x 1 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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