VIEW IN MY ROOM
William Rafael Marquina Buitrago
Ecuador
Painting, Oil on Canvas
Size: 25.6 W x 33.5 H x 2 D in
Ships in a Crate
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Watch the videos on my YouTube page: https://www.youtube.com/watch?v=Yh37nIZCpaw&index=17&list=PLMXPSzDKAHguNOkRkAriud_5O0Q96mtMm Author: William Marquina Buitrago Title: "Yellow Jersey in William's Studio" Technique: Oil on canvas Dimensions: 85 x 65 cm (33,46” x 25,59”) Dimensions of the frame: 101 x 85 cm (39,76” x 33,46”) Series: Picasso copy Production date: May-August 2018 Description: This copy is a study for "Yellow Jersey", original of Pablo Picasso who made it on October 31, 1939, and is the portrait of one of his lovers, Dora Maar. Both the realization of the copy, as the canvas and the frame, was made by myself: the canvas was made from raw linen and stretched on a red cedar frame, including the gesso to prime the canvas, for which I used paint Synthetic water, white calcium carbonate, talc, and PVC rubber; while the handmade frame is made of wood and stone plaster settings and painted in brown, purple-red and bronze lacquer colors. The original measurements of the portrait of Picasso are 81 x 65 cm, however, the width of my copy has the same, which is 65 cm, with the height of the copy being a little higher, about 85 cm exact. My intention in this copy is to study the brushstrokes and colors of the original. Copying is an arduous and slow process because it requires waiting for the opportune moment behind each step of superimposing the spots and strokes, experimenting and discovering the different steps of the process that Picasso did. Nearly seven forms of brushstrokes would Picasso execute for this painting. I also studied the colors he used in advance to later overlay others: his palette is summarized in the following: ocher sienna, alizarine carmine, orange, ultramarine blue, cobalt blue, natural sienna, Vandyke brown, black and white. The strokes with the brush are summarized in: spliced, juxtaposed, melted, liquefied, so, all these technical alternatives were executed by combining families of colors towards the violet and the other towards the ocher, while the straw green color in the hat, sustains the balance of the two tensions complementing these two families, and finally adding the orange-red in the upper middle of the painting (the lips of Dora Maar) to accentuate the attention of the entire composition of the painting. Finally, I can say that making this copy was very satisfactory for me because I approached Picasso's pictorial thought as I entered a fascinating process of deciphering the techniques that the artist could have executed. Somehow the spirit of Picasso's painting absorbed me to such an extent that I could apparently feel that by imitating his style, he transported me to the moment in which he executed his work. I would like people to rediscover in this copy a reflection of Picasso. Keywords: Picasso, copy, copying, oil, original, cubism, canvas, Yellow Jersey, woman, Dora Maar, portrait, modern art.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:25.6 W x 33.5 H x 2 D in
Frame:Gold
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Venezuela.
Customs:Shipments from Venezuela may experience delays due to country's regulations for exporting valuable artworks.
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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.
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