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An attempt has been made to create a genuine atmosphere of light. Especially in the background building in which both the lights and the shadows are modulated with respect to the surrounding colors. The shadows of the balconies reflect in blue of the sky, the white wall turns yellow on the left because it reflects the yellow of the building of the first term. There is even an orange color under a ledge of the first building that establishes a counterpoint in these harmonies. Surely it is a bounce of the red color of the soil.

Together, these harmonies create a palette of pastel colors that keep buildings at a distance and contrast sharply with the resounding colors of the tree in the foreground.

Here we have tried to make the background a terrain of chromatic interactions, trying to simulate the vibration of light. And in reality, this vibration would be the only movement that appreciates in the image; since on the other hand nothing happens.
An attempt has been made to create a genuine atmosphere of light. Especially in the background building in which both the lights and the shadows are modulated with respect to the surrounding colors. The shadows of the balconies reflect in blue of the sky, the white wall turns yellow on the left because it reflects the yellow of the building of the first term. There is even an orange color under a ledge of the first building that establishes a counterpoint in these harmonies. Surely it is a bounce of the red color of the soil.

Together, these harmonies create a palette of pastel colors that keep buildings at a distance and contrast sharply with the resounding colors of the tree in the foreground.

Here we have tried to make the background a terrain of chromatic interactions, trying to simulate the vibration of light. And in reality, this vibration would be the only movement that appreciates in the image; since on the other hand nothing happens.
An attempt has been made to create a genuine atmosphere of light. Especially in the background building in which both the lights and the shadows are modulated with respect to the surrounding colors. The shadows of the balconies reflect in blue of the sky, the white wall turns yellow on the left because it reflects the yellow of the building of the first term. There is even an orange color under a ledge of the first building that establishes a counterpoint in these harmonies. Surely it is a bounce of the red color of the soil.

Together, these harmonies create a palette of pastel colors that keep buildings at a distance and contrast sharply with the resounding colors of the tree in the foreground.

Here we have tried to make the background a terrain of chromatic interactions, trying to simulate the vibration of light. And in reality, this vibration would be the only movement that appreciates in the image; since on the other hand nothing happens.
An attempt has been made to create a genuine atmosphere of light. Especially in the background building in which both the lights and the shadows are modulated with respect to the surrounding colors. The shadows of the balconies reflect in blue of the sky, the white wall turns yellow on the left because it reflects the yellow of the building of the first term. There is even an orange color under a ledge of the first building that establishes a counterpoint in these harmonies. Surely it is a bounce of the red color of the soil.

Together, these harmonies create a palette of pastel colors that keep buildings at a distance and contrast sharply with the resounding colors of the tree in the foreground.

Here we have tried to make the background a terrain of chromatic interactions, trying to simulate the vibration of light. And in reality, this vibration would be the only movement that appreciates in the image; since on the other hand nothing happens.
An attempt has been made to create a genuine atmosphere of light. Especially in the background building in which both the lights and the shadows are modulated with respect to the surrounding colors. The shadows of the balconies reflect in blue of the sky, the white wall turns yellow on the left because it reflects the yellow of the building of the first term. There is even an orange color under a ledge of the first building that establishes a counterpoint in these harmonies. Surely it is a bounce of the red color of the soil.

Together, these harmonies create a palette of pastel colors that keep buildings at a distance and contrast sharply with the resounding colors of the tree in the foreground.

Here we have tried to make the background a terrain of chromatic interactions, trying to simulate the vibration of light. And in reality, this vibration would be the only movement that appreciates in the image; since on the other hand nothing happens.
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Tree on the street of the Marquis of Turia (variation 1) Painting

Samuel Garijo

Spain

Painting, Acrylic on Wood

Size: 17.7 W x 18.5 H x 0.8 D in

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SOLD
Originally listed for $280
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About The Artwork

An attempt has been made to create a genuine atmosphere of light. Especially in the background building in which both the lights and the shadows are modulated with respect to the surrounding colors. The shadows of the balconies reflect in blue of the sky, the white wall turns yellow on the left because it reflects the yellow of the building of the first term. There is even an orange color under a ledge of the first building that establishes a counterpoint in these harmonies. Surely it is a bounce of the red color of the soil. Together, these harmonies create a palette of pastel colors that keep buildings at a distance and contrast sharply with the resounding colors of the tree in the foreground. Here we have tried to make the background a terrain of chromatic interactions, trying to simulate the vibration of light. And in reality, this vibration would be the only movement that appreciates in the image; since on the other hand nothing happens.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:17.7 W x 18.5 H x 0.8 D in

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