Under the Shadow of an Elm Painting by Dilorom Mamedova

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Under the Shadow of an Elm

Dilorom Mamedova



Size: 47.2 W x 29.5 H x 0.8 D in

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About The Artwork

This artwork was created outdoors in Uzbekistan by Dilorom Mamedova

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 29.5 H x 0.8 D in

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It is difficult to disclose all the facets of Dilorom Mamedova’s creative work in a short essay, but it is very interesting to identify the main features. In the decade of creative searches, not only did numerous trips to all corners of Uzbekistan with daily tireless work in the workshop and on the planner, as well as active exhibition activities. This led Dilorom Mamedova to the formation of an individual world and stylistics, to the creation of his handwriting, recognition and original manners. Already in the early works, the priorities in Mamedova’s work were determined. They were the genre of landscape and the chambering of the plot, poetry, sincere and respectful attitude to ordinary life. The living contact with nature of Dilor Mamedova’s is consonant with the just remark of the great Martiros Saryan: «The life of nature is as familiar and understandable as it is amazing and mysterious.» The artist’s landscapes are very different — the sonorous colorful series «In the cities of Uzbekistan», «My fellow countrymen», «The Uzbek courtyard», then beaten by light, shadow, space - series «Doors», «Seasons», «My Tashkent», «Rainfall». Dilorom beautifully writes and small strokes, as in sketches «Vineyard», «Road», or broadly records the entire surface of the canvas in color, effectively using the technique of white smears — «bunnies» in the landscapes «Chust”, «Vineyard», «Pskent. Autumn», «Cozy courtyard», «Under the shadow of the Karagach», «At the Tandoor». Dilorom Mamedova’s many paintings meaning is the harmony of nature and man, in the unity of eternal values - goodness, beauty, family hearth. Her work brings the viewer back to the sources — the nature of life, love, simplicity. All this can be traced in compositions, such as «In Khauz», «Gilan», «Where childhood goes», «Way», «Neighbors», «Waiting», that is using ordinary everyday motives and simple scenes of life in rural life. Even in the simplest and unpretentious scenery «Hay», «Chust roosters», «In the way», «Noon», «Village Djovuz» there is a directness of the transfer of nature - from bright sun color and color saturation to subtle tonal color development.

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