Union Square Painting

Since my work is an extension of what I know, it never achieves the form of statements but rather raises their meaning at the level of problematization and reconstruction generated as a result of the permanent process within the dynamics of research. In my relationship with the world and the surrounding reality, the entire search is a hermeneutic (it is when man has to decipher signs after which he guides himself and then moves in time and space). Probably the most attractive aspect of some works is their ability to give shape to the ambiguity and ambivalence of a world in which several possibilities/truths, instances, historical hypostases appear to be able to coexist. In this way, the works share the polymorphic nature of life in a work of art that often tends to escape us to suggest things without naming or labeling them in such a way as to became confused. Through my works I try to evoke a vision of reality that has the inner power to attract the viewer into his own reality. The shapes of the painted construction can be read as random forms, leaving an open door for interpretation. Nature itself contains an external reality, which has substance and to which we, the humans , relate differently. Thus, the feeling of ephemeral emerges, because everything that is around us is composed of submissive transitory perceptions that arise and fade every moment.