Untitled (3) Painting

The main topics I am concerned with are deconstruction, transgression, and dystopian forms. Over the past 4 years in my academic work, using a variety of techniques, I dealt with decomposition, experimenting with figurative paintings. My method of work are intuitive experiments, which I confront with traditional techniques. Using various techniques (including photography), I studied the process of destruction of matter. My experience with the destructive force of fire I used in the collection "Shoah". In turn, the newest small forms are the result of technological and formal experiments, which I carried out during the year preceding the diploma. The starting point for my research was getting to know old paint techniques, including icon' technique. I used acrylic paint, acrylic enamels, varnishes, shellac, epoxy resin, chalk mortar. I used them with technological principles or acting against them. I have created the base in the form of "destroyed" layered, mechanical or anti-technology, sub-technology. Most of my work is a comment on reality, it touches on the condition of humans and their functioning in society. Work is a confrontation with the ambivalence of one's own feelings. can traditional techniques, figurative painting still exsist in in our times? Is it possible to successfully combine archaic and modern? My paintings are a battlefield of my own beliefs and a kind of metaphorical self-portrait.