VULGUS catervarius Painting

Born on 1th February in 1980 in Moscow - Russia. I finished an art college in 1997, and graduated from the Faculty of Graphic Design in Stroganov Moscow State University of Arts and Industry with a diploma in 2003. For a long time I have been worked as a designer in various professional areas. Due to the lack of creative realization, I took up my own independent creativity. I have been professionally engaged in the creation of paintings and graphics since 2001. I work and experiment with a variety of paintings and graphic materials and techniques. I prefer a sophisticated synthesis of oil glazing techniques, collages, scratching and my own techniques. For a long time, I positioned my art only in a nonprofit format and recently started to enter the art market. A short time ago, I became interested in creating video art, and experience in CG, especially with 3D-graphics, came in handy. Sometimes I spend my free time outdoors, creating realistic landscapes in dry pastel or oil. At the moment, I am working in the direction of subconstructivism, defining and naming it in this way myself, and based on a project approach to creating my works, a strict hierarchical structure, but also a significant emphasis on aestheticization of pure form, which is the basis for the formation of a sophisticated architectonics in my artworks. Inside a simple basic form, there is a second plan, subordinate to the general composition. It is a deep layer representation in more detail like a fractal structure. Thus, the work is perceived both at arm's length and at a distance of several meters. The visual image, is a self-sufficient language for communicating with the viewer, in my opinion. It does not require textual accompaniment and verbal decoding. Wherein; variability, variety, innuendo and depth of the point are integral features of this language. I do not impose my point of view and do not set a goal for the viewer to draw conclusions, but I bring the viewer to work together, to the result is subjective impressions. Like inferences after reading a book, they are more valuable than the content of reviews and critical articles. The desired effect is the ambiguity of the semantic interpretation, an invitation to the viewer to co-create in creating a full-fledged impression of my work.