Vitreous Hapiness III Painting

I want to capture the abstract and yet honest feeling of shine and transparency of the surfaces.I take interest in exploring the concept of inside and outside through the elements. The view is always a sort of a plan, a top view, an abstract representation, holiness perspective. Perhaps to do with the need to treat the elements in this kind of a map, where there is a display of hierarchy and balance, and where you clearly can control the articulation in between space and form, module, and composition. The intention is to reinforce and amplify the experience by scaling up small objects, to turn the unnoticeable more noticeable and to transform the invisible aspects into more vibrant and visible ones. Coffeecups, teacups and saucers, kitchen tools, a cut open pomegranate, a portion of fruit, all of these things are captured as a reminder of the pleasure of living, with all its flaws, chaos and beauty. There is a sort of realistic approach given to the subject. But not as a pure imitation, nor artificial and meaningless image, it purposely captures the attention like a physical magnet that pulls you in, as a trick of mind, in the end as a gentle opening window to a poetic vision.