VIEW IN MY ROOM
WARNING amoris suspended Painting
United Kingdom
Painting, Acrylic on Canvas
Size: 23.6 W x 11.8 H x 1.6 D in
Ships in a Box
About The Artwork
Yellow is normally considered the colour of energy and positives. It is the colour of the sun, of light. The colour of a happy face. No wonder the social media’s most popular emojis are yellow. The place though where I feel most overwhelmed and surrounded by yellow is on the streets and in public transportation. Almost everything is yellow. Danger! Warning! Advanced Warning! Parking Suspended! Detour! Road ahead closed! Please do not cross the yellow line, train approaches! Danger of death! Caution wet floor! In theory yellow is a positive vibration, in practice, seems to be the brand colour of the cautionary tale. Yellow became aggressive, and almost too alertive. Now, every time you turn and see yellow, your body is so used to associate it with danger that you startle a bit. What is it that I cannot do or should be cautious about now? Your subconscious might think. Yellow is the highlight of our commute, pun intended. And that one feeling that we feel both excited and happy about, but that scares us at the same time is LOVE!
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 11.8 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My passion for art started at an early age, while experiencing the changes in colors and style with the fall of the Soviet Union. I began painting and drawing more intensely around 2005 when I moved to the US for university. Although I studied biochemistry and economics, I spent my summers at the university’s arts centre. When I quit my corporate job in London, I rediscovered immense pleasure and relaxation in painting, an activity that soon developed into a passionate calling. I continue to learn and experiment with acrylics, paste and charcoal. Being a fan of hot and sunny weather, which is rare in London, I use mostly bright colors to transform a blank canvas into abstract images inspired by everyday experiences.
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