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Waves Painting

colleen corradi brannigan

Italy

Painting, Acrylic on Other

Size: 98.4 W x 59.1 H x 2.4 D in

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Originally listed for $8,910
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About The Artwork

Description: The adverse waves of destruction and the uncontrolled power of nature were the inspiring force that guided my reaction to the tragedy that occurred on December 26th 2004, which devastated unspoiled areas affecting entire populations. This work is not only a symbol for the Inevitable, but wants to represent all those situations of helplessness that the human being is irrevocably at the mercy of.Year Created: 2005

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:98.4 W x 59.1 H x 2.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1971, Colleen Corradi Brannigan completed her artistic studies in London, Tokyo and New York, where she has received enormous acclaim for her work on expressionism. Her art shows began in 1999 with a collection at the Covent Garden Flower festival in London, followed by numerous collections and solo works both in Italy and abroad. Noteworthy espressionist styles can be seen above all in her series of musical instruments and labyrinths done in oils, watercolours, or etchings. However, it was with architectural studies in a prominently surrealistic style that Colleen caught the attention of the Italian literary comunity as well as the international scientific comunity. The encyclopaedia of Italian Literature, Ed. Luigi Einaudi chose her ‘Invisible Cities’ to illustrate the work of Italo Calvino (Vol.17) The Spanish periodical of mathematical composition Suma+ (n. 61 June 2009) judged Corradi’s interpretation of the Invisible Cities of Calvino extraordinary in the way she incorporated matematical aspects into some of them: the primordial urban characteristic of Trude; the reproduction of what is called reverse geometry in Valdrada; the fractal tridimensional configuration of Pentesilea; the helical surface of Olinda . Prominent Italian art critics such as Paolo Levi have also acclaimed the work of this artist . COLLEEN AND THE INVISIBLE CITIES My first approach to the "Invisible Cities" came as a shallow indifference. Nothing more than part of a university programme to carry out; they remained dormant in my mind for years. Then, one day, in New York, while I was working on etchings of English castles that I was familiar with, Eudossia took form. That is how the dusty cities of the past came to life and set the foundations of imaginary worlds that I wished to create from the "English" designs. Now, each time my mind recalls the streets of the cities as described by Calvino, I get new inspirations from words that I had not noticed before or meanings that are open to new interpretations in a discovery that is neverending.

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