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Using my typical format of stenciled, layered text at 100x100cm I have tried a few pieces on stretched 250g paper. Initially I had maybe been aiming for super flat and clean colors, reminiscent of a screen print. Of course the reality of stenciling by hand is that there are irregularities and imperfections. Overall I feel these add to the individuality of each work. Paint on paper is quite a different experience to paint on canvas, each having individual qualities. Eventually I will get around to doing screen print versions also, I like the idea of being able to flip around different color systems and layers very quickly.
There is a white border of approx 2 inches around the image to allow for various framing options.
The work is unframed and ships rolled in a tube.

WE ARE ALL LOST
GET OVER IT
MOVE ON
detail
Using my typical format of stenciled, layered text at 100x100cm I have tried a few pieces on stretched 250g paper. Initially I had maybe been aiming for super flat and clean colors, reminiscent of a screen print. Of course the reality of stenciling by hand is that there are irregularities and imperfections. Overall I feel these add to the individuality of each work. Paint on paper is quite a different experience to paint on canvas, each having individual qualities. Eventually I will get around to doing screen print versions also, I like the idea of being able to flip around different color systems and layers very quickly.
There is a white border of approx 2 inches around the image to allow for various framing options.
The work is unframed and ships rolled in a tube.

WE ARE ALL LOST
GET OVER IT
MOVE ON
Using my typical format of stenciled, layered text at 100x100cm I have tried a few pieces on stretched 250g paper. Initially I had maybe been aiming for super flat and clean colors, reminiscent of a screen print. Of course the reality of stenciling by hand is that there are irregularities and imperfections. Overall I feel these add to the individuality of each work. Paint on paper is quite a different experience to paint on canvas, each having individual qualities. Eventually I will get around to doing screen print versions also, I like the idea of being able to flip around different color systems and layers very quickly.
There is a white border of approx 2 inches around the image to allow for various framing options.
The work is unframed and ships rolled in a tube.

WE ARE ALL LOST
GET OVER IT
MOVE ON
335 Views
18

VIEW IN MY ROOM

we are all lost Painting

Niki Hare

United Kingdom

Painting, Acrylic on Paper

Size: 39.4 W x 39.4 H x 0 D in

Ships in a Tube

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SOLD
Originally listed for $1,680
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335 Views
18

Artist Recognition

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About The Artwork

Using my typical format of stenciled, layered text at 100x100cm I have tried a few pieces on stretched 250g paper. Initially I had maybe been aiming for super flat and clean colors, reminiscent of a screen print. Of course the reality of stenciling by hand is that there are irregularities and imperfections. Overall I feel these add to the individuality of each work. Paint on paper is quite a different experience to paint on canvas, each having individual qualities. Eventually I will get around to doing screen print versions also, I like the idea of being able to flip around different color systems and layers very quickly. There is a white border of approx 2 inches around the image to allow for various framing options. The work is unframed and ships rolled in a tube. WE ARE ALL LOST GET OVER IT MOVE ON

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

b 1971 UK Self taught artist working with many mediums but liking paint the best. Painting is just a language that I am more comfortable with, it has an honesty, it is what it is. My work is very unprocessed, direct, I don't see as I paint , just look at it sometime later, then start again or leave it alone until another time. I work with layers, building them up and scraping back, finding stuff I had forgotten about, the painting starts to get interesting, to develop its own past. The word paintings write themselves with no restraint, if I'm not sure I keep writing over, but ultimately the words, however buried, have been said.

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