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View In My Room

Where the Light Gets In Painting

Danie Wood

Canada

Painting, Oil on Wood

Size: 40 W x 78.8 H x 2 D in

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This artwork is not for sale.

450 Views

67

Artist Recognition
link - Featured in Inside The Studio

Featured in Inside The Studio

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

I reflect upon the anthropocentric dualism we find ourselves in ... the mistaken illusion of separateness from one another and our environment. This idea of ‘us‘ vs. ‘them’ is what I feel is driving the common landscape to feel upside-down. I paint the ethereal, inner landscape, the place where the Caterpillar asks Alice “Who are you?”. I realized that there is always a dividing line that appears in my work, and I decided to explore that one detail. Is it the horizon line of a landscape? Is it the divisive line between two halves of a problem, a person or perspective? Or is it a realization that Leonard Cohen leads us to, that, “There is a crack in everything ... That’s how the light gets in.” This painting is sized to reflect our current landscape ... it is 78.75 inches (or 2 metres) ... the standard in Covid-19 Social Distance Etiquette. Note: the imperfections in the wood board form part of the unique character of the artwork.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

40 W x 78.8 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Danie Wood was born in London, England in 1965 and now lives on Vancouver Island, in British Columbia, Canada. A creative director by trade, she was schooled at York University where she received a BFA with Honours. My paintings dialogue between place and being which reflects a basic need to understand the world in which we live. I am interested in investigating human experience and the states of flux, change and transformation using landscape as a metaphor. The questions, ‘Who are you? What are you doing here? and Where are you going?’ are key to my personal patois. (‘D’où Venons Nous / Que Sommes Nous / Où Allons Nous’ - Paul Gauguin, 1897.) I paint about loss and transformational change - the experience of personal loss as well as the physical change in the action/process of painting. Displaced, by moving between continents as a child, I have spent much time contemplating “Where do I belong?”. My painting is inspired by Casper David Friedrich’s ‘Monk by the Sea’ and the transcendental paintings of Mark Rothko and Anselm Kiefer. The elements of water, wind, earth and fire are always at the root of my personal patois. The landscapes of language, jargon, graffiti and social change also intrigue me. I have been painting a series called ‘City on Fire’ where I imagine myself as a spectator from afar watching the urban centres burn as a result of self-absorption, over consumption and environmental change. Graffiti-like marks can also be found in my work ... Graffiti, the ‘language’ of the collective unconscious, marks ownership, belonging and place. I have been recently influenced by contemporary, Chinese painter, Lianghong Feng who adapts Chinese philosophy, calligraphy, Eastern and Western art history, and urban graffiti into his painting.

Artist Recognition
Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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