![Why I started painting on paper? I pulled my back hiking large frames around. For a week I was limping around, and of course, I needed to continue getting ready for my next show, so, I discovered that I could work on paper. Beautiful acid free paper. And, is often the case when accidents happen, something beautiful and different emerges. I have painted 3 of these. One called 'Seed' this one called 'Wing' and 'Flower + Dragon'. It is one of those paintings that you can't get close enough to. The play of colour and layering is intoxicating. It started out as gingko biloba imagery and emerged as wings. I had a shop build me a custom wooden floating frame with a removable archival plexi-glass [glass]. The decal edge is beautifully lifted off the back and floats under the plexi-glass.](https://images.saatchiart.com/saatchi/642835/art/3241417/additional_6dce05023219adfae88bdc7808e287bd14757984-AICC2-22.jpg)
![Why I started painting on paper? I pulled my back hiking large frames around. For a week I was limping around, and of course, I needed to continue getting ready for my next show, so, I discovered that I could work on paper. Beautiful acid free paper. And, is often the case when accidents happen, something beautiful and different emerges. I have painted 3 of these. One called 'Seed' this one called 'Wing' and 'Flower + Dragon'. It is one of those paintings that you can't get close enough to. The play of colour and layering is intoxicating. It started out as gingko biloba imagery and emerged as wings. I had a shop build me a custom wooden floating frame with a removable archival plexi-glass [glass]. The decal edge is beautifully lifted off the back and floats under the plexi-glass.](https://images.saatchiart.com/saatchi/642835/art/3241417/additional_6c3d3fb6096d6e393bb84765d15e763a44dbb91c-AICC2-22.jpg)
![Why I started painting on paper? I pulled my back hiking large frames around. For a week I was limping around, and of course, I needed to continue getting ready for my next show, so, I discovered that I could work on paper. Beautiful acid free paper. And, is often the case when accidents happen, something beautiful and different emerges. I have painted 3 of these. One called 'Seed' this one called 'Wing' and 'Flower + Dragon'. It is one of those paintings that you can't get close enough to. The play of colour and layering is intoxicating. It started out as gingko biloba imagery and emerged as wings. I had a shop build me a custom wooden floating frame with a removable archival plexi-glass [glass]. The decal edge is beautifully lifted off the back and floats under the plexi-glass.](https://images.saatchiart.com/saatchi/642835/art/3241417/additional_29e189d8a00950dfe67b08adf7df5b10891065e6-AICC2-22.jpg)
![Why I started painting on paper? I pulled my back hiking large frames around. For a week I was limping around, and of course, I needed to continue getting ready for my next show, so, I discovered that I could work on paper. Beautiful acid free paper. And, is often the case when accidents happen, something beautiful and different emerges. I have painted 3 of these. One called 'Seed' this one called 'Wing' and 'Flower + Dragon'. It is one of those paintings that you can't get close enough to. The play of colour and layering is intoxicating. It started out as gingko biloba imagery and emerged as wings. I had a shop build me a custom wooden floating frame with a removable archival plexi-glass [glass]. The decal edge is beautifully lifted off the back and floats under the plexi-glass.](https://images.saatchiart.com/saatchi/642835/art/3241417/additional_6efe09821985a52f702e2e1686aa611863b0fc06-AICC2-22.jpg)
![Why I started painting on paper? I pulled my back hiking large frames around. For a week I was limping around, and of course, I needed to continue getting ready for my next show, so, I discovered that I could work on paper. Beautiful acid free paper. And, is often the case when accidents happen, something beautiful and different emerges. I have painted 3 of these. One called 'Seed' this one called 'Wing' and 'Flower + Dragon'. It is one of those paintings that you can't get close enough to. The play of colour and layering is intoxicating. It started out as gingko biloba imagery and emerged as wings. I had a shop build me a custom wooden floating frame with a removable archival plexi-glass [glass]. The decal edge is beautifully lifted off the back and floats under the plexi-glass.](https://images.saatchiart.com/saatchi/642835/art/3241417/additional_f263dae50603a504df658d07484460e67db53cff-AICC2-22.jpg)
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14
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Painting, Acrylic on Paper
Size: 32 W x 40 H x 0.1 D in
Ships in a Crate
810 Views
14
Artist Recognition
Artist featured in a collection
ABOUT THE ARTWORK
Why I started painting on paper? I pulled my back hiking large frames around. For a week I was limping around, and of course, I needed to continue getting ready for my next show, so, I discovered that I could work on paper. Beautiful acid free paper. And, is often the case when accidents happen, something beautiful and different emerges. I have painted 3 of these. One called 'Seed' this one called 'Wing' and 'Flower + Dragon'. It is one of those paintings that you can't get close enough to. The play of colour and layering is intoxicating. It started out as gingko biloba imagery and emerged as wings. I had a shop build me a custom wooden floating frame with a removable archival plexi-glass [glass]. The decal edge is beautifully lifted off the back and floats under the plexi-glass.
DETAILS AND DIMENSIONS
Painting:
Acrylic on Paper
Original:
One-of-a-kind Artwork
Size:
32 W x 40 H x 0.1 D in
Frame:
White
Ready to Hang:
Not applicable
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Canada.
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Art and Design are part insight, part inspiration, and a lot – of invention. In my studio, accidents happen, and that moves my work forward. It is always exciting to watch work take on a life of its own. I begin with the end in mind, and always land in a different place. I work hard to develop original works – avoiding trends and following the direction of the work – in the moment. My colourful works reflect my love of colour, and design. Works are held in private and public collections worldwide.
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Artist featured by Saatchi Art in a collection
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