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Woman's Body Painting

Veronica Huacuja

Mexico

Painting, Digital on Other

Size: 23.6 W x 31.5 H x 0.1 D in

This artwork is not for sale.
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About The Artwork

I’m happy to share with you the way I accomplished this digital artwork. One thing that I keep in mind every time I use the digital medium in my work is that the procedures can be done too in traditional techniques (oil and/or acrylic). The artwork was done using a Wacom Tablet and Photoshop. I chose a neutral color for the background, a greenish one (not bright, not dark, just a mid-tone). This decision helped to “construct” the work, because the background color took part in the final art solution (a bit hidden sometimes). With a certain concept of a female’s body I began sketching (with a black color and its mid-tones). At first, I didn’t know what the results might be. Little by little, the body began to take shape. Sketching with freedom helps to “find” the solution. I used two different brushes, with different thicknesses, as you can appreciate. After, I added a third color: orange. And one way to guarantee that I was using the correct one was to apply it lightly on the surface and see how it matched. When I was convinced of the right use of this third color, I applied it firmly on strategic regions letting the greenish background color still be part of the solution. Then, I applied the light. In this case, I used the white color. And I used it heavily. I made this to stand out the body from the background. The data sheet of the artwork is: Title: "Woman's Body" Medium: Digital art Year: 2018 I hope you enjoy the work! Thank you for reading.

Details & Dimensions

Painting:Digital on Other

Original:One-of-a-kind Artwork

Size:23.6 W x 31.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Welcome to my online art studio! My name is Veronica Huacuja (wu-a-koo-ha). I am a professional plastic artist and an experienced online art teacher. ART INTERESTS The art interests that call my attention are diverse, such as sickness, pathological behaviour, forensics. Because of the different subjects I'm interested in, I've classified my work in collections. This helps me understand it in a better way. It also helps the re-creator to understand it, to invite or produce in him/her a state of mind that assists him in penetrating the work's creation circle. COLLECTIONS In my "Portraits" collection, I work with special characters in borderline situations. This means that the pieces are dramatic and in most of them I try to grasp their “exasperated beauty”. (1) These criteria apply as well to a new collection I entitled "Women", in which I interpret and portray historical females; some renowned characters, others are anonymous, but all of their biographies called my attention as an artist and as a woman. I treat most of these creations with drama. In my "Art and Radiology" collection–Period I and Period II–, the man and its precarious condition (temporality, decay, fragility...) is the central topic of my work. Some initial sources I use are radiological medical studies done to sick, genderless, anonymous persons. I like to call the results of my work as “Human Landscapes”. By this category, I mean to explore the carnal material that makes us human. I've divided this collection into two periods of my production: “Period I” goes from 2000 to 2003, and “Period II” gathers artwork I have created from 2015 up to date. I added a new collection, "The Relentless", where I picture people that have social malfunctions and disorders that drive them to commit crime. The tragedy of their lives and their cross paths in the lives of others are elements that impulse me to create this series. In this collection I include as well, the “manhunters”, which are the law enforcement professionals that pursue these dangerous outlaws. I think they are too relentless. So, those who fight “monsters” are also part of this collection. One thing I’d like to add is that my work isn’t an apology for crime. It’s my interpretation of a social phenomenon. In 2022, I debuted a new collection, entitled "Sculptures". The collection delves into the biographies of anonymous characters-both male and female–.

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