128 Views
1
View In My Room
Painting, Oil on Bronze
Size: 17 W x 11 H x 1 D in
Ships in a Box
128 Views
1
This piece from 2012 is painted on an antique ceiling tile I got from an architectural salvage company in downtown LA. My show that year at Corey Helford featured a lot of unconventional painting surfaces and "framings" including a large triptychI had constructed that was about 8 feet wide when open. These two figures were variations on a worshipper, but I couldn't find a composition to fit her into, in either variation. So he got her own piece!
2012
Oil on Bronze
One-of-a-kind Artwork
17 W x 11 H x 1 D in
Patina
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Van Arno was born in Chattanooga, Tennessee, and grew up in St. Louis, Missouri, where he attended a Christian Science school from kindergarten through high school. He was accepted at Otis Parsons School of Design in Los Angeles, and supported himself working as a bouncer in at Club Lingerie. By the early '90s, his illustration resume included story-boarding for Robotech, deck designs for Powell Peralta, and box art for Bandai Games, but he found a niche in the music industry, where his illustration and design credits are too numerous to mention. When his focus shifted to fine art, he began to create heroic figurative works featuring religious, folk, pop culture, and mythical heroes. His work has shown nationally in Los Angeles, Seattle, Santa Fe, Nashville and New York. Internationally, Van has had solo shows at Feinkunst Kruger in Hamburg (2004), and Yves LaRoche Gallerie in Montreal (2007). His work was included in the Juxtapoz Museum exhibit, “Land Of Retinal Delights” (2008), at the Laguna Museum of Art in California. In 2010 and 2011he had work in the Riverside Art Museum. “I attempt to paint the Archetypical Moment of clarity and passion. But, above all else, imagery must be made exciting and alive. The rules of lighting, anatomy gravity and physics must be bent or broken to make the picture LOUD. That is the ultimate goal of my work.”
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