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Yell Ow Painting

Adrian Flaherty

United Kingdom

Painting, Acrylic on Canvas

Size: 33.5 W x 20.9 H x 2.8 D in

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$850

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ABOUT THE ARTWORK

This painting although it is quite small is very important to my ideas around colour and meaning in some of my work. It was based on a sketch I did over twenty years ago of the same name and reappeared after going through old sketch books. Through my degree course I had used the colours red and blue to signify positive and negative respectively and so when I revisited this idea the colour yellow signified expression itself. There is also a link to faces in computer emojis which are also obviously that colour as well. So, this painting developed as a forceful expression with layers of small canvases built up on top of one another. Once I had the structure fixed the painting initially was very intuitive with positive and negative coloured paint poured over to make a chaotic background for the face around the eyes and ears. The features of the face were worked into the structure of the canvas before it was left to dry. Details and elements to bring the painting together were added later.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

33.5 W x 20.9 H x 2.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a South Londoner since birth. My "Home-Works" which I have been working on for the last 7 years project developed at the same time as the debates over Brexit were being formed. However, since completing my degree course my work has moved away from this more introverted, self-improvement way of working to one where I have also been addressing the need to make connections to others and to work. This was the basis of the project producing paintings in response to each bridge along the River Thames (currently up to the edge of London). This project also developed the ideas around the question of where is home and led to ideas of what makes up someone's personality in some of my paintings of figures. I have worked across a variety of media, but am now concentrating on paintings with chance processes often incorporated. For example in my Thames project contrasting the flows of the river in London with the structures of the bridges expressing the juxtaposition between nature and the man-made and the chaos/order of city life. I am at the early stages of another project walking the coastal paths along the west coast of England producing paintings of beaches and cliffs again representing the unpredictability and structure of the nature of coastal erosion, tides, etc. The use of chance to form the basis of the paintings, using a mixture of oil and acrylic paint usually, is often offset against more detailed and purposeful aspects as the painting takes on a life of its own, almost.

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