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View in a Room ArtworkView in a Room Background
The light and the darkness, the outside and the inside, someone and the void, the black and the white.
It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. 
The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
signature: M Lazar
The light and the darkness, the outside and the inside, someone and the void, the black and the white.
It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. 
The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
The light and the darkness, the outside and the inside, someone and the void, the black and the white.
It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. 
The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.
The light and the darkness, the outside and the inside, someone and the void, the black and the white.
It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. 
The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.

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1

View In My Room

at the window Painting

Magda Lazar

France

Painting, Acrylic on Cardboard

Size: 15.5 W x 13.8 H x 0.1 D in

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$890

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52 Views

1

ABOUT THE ARTWORK

The light and the darkness, the outside and the inside, someone and the void, the black and the white. It's the mystery of an enclosed space having a window. A presence on the edge between the outside and the inside. A look that transgresses them. Filled with signs. It is unknown whether they're mental or not. There is movement anyway. The realism of the work is distorted by deformations in reference to an unseen level of interpretation of reality. Spiritual, rather. The simplicity of the tones centers the speech on a frequency of depth and crucial questions. The work is made on a rigid support, in acrylic. It is unframed. An extension of the art with an embossed black frame could have an interesting effect.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Cardboard

Original:

One-of-a-kind Artwork

Size:

15.5 W x 13.8 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have tried many painting styles and techniques over time. Now, I am more oriented towards exploring fine textures that we find in the real world, the richness of their diversity, seeking the expression of a world full of rich meanings, subtleties, but above all a serene vision of the world. So, I draw inspiration from the real world, but I like to transform it, adding quotes from it too, to express richness of spirit, metaphor, fantasy worlds. I am also interested in what is fragile, mince and insignificant.

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