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bocetos del cuerpo Painting

Adriana Carambia

Argentina

Painting, Acrylic on Canvas

Size: 23.6 W x 40.6 H x 0.4 D in

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About The Artwork

“That can be reduced to fragments; it is inherent, is the structural feature.” Working as psychoanalist and in my art production, I give an important place to the “subjectivity of intimacy.” I let fragility, piercings, and theirs marks, threads and connections appear. I break, bend and create bodies with paraffin on paper. A suspended sculpture, petrified in space. It is similar to x-rays. Its translucent quality lets us see its origin, its nature, the structure that supports it. It lights up what is hidden. Drawings and paintings originate there. Like narrations of the bodies. I reduce to fragments, harmonize, and embellish metaphors of the body and the subject. I resort to fragility; not only the fragility of the support, but also the primitive fragility of man. Riddled with contingencies, there is no unity of the shape, but the insistence of the fragment.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 40.6 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

She was born in Buenos Aires, Argentina and is a psychoanalyst graduated from Universidad de Buenos Aires. Argentina My training and experience in clinical psychoanalysis has left a strong impression on my vision of art and of the world. My work is driven by the necessity to investigate the fragmentation of the human being, the body and its relationship with the world in which it inhabits. I start a work of art in an intuitive way using unconventional materials (nylon stockings, windshields from discarded cars,paraffin wax, etc), on the rigorous base that is derived from a close relationship between culture and nature, centering my look on the subject. The work methodology that I propose is fundamentally sustained by sculpture, installation and painting. The images of nature, its spirit, and its forms, as well as the erotic charges that they possess, are the triggers of the organic constructions that inhabit my work. The different media give me the possibility of representing the fragmentation (as an intrinsic and structural condition of the subject); the fragility, marks, identification and history. I represent the engimatic the body and its environment in a metaphoric way. Exhibitions, salons and prizes. 2016, Exhibition The Clemente, Manhattan, NY EE.UU 2016, Exhibition Insisting Light G.Hernández Contemporary art, Connecticut. Ny. EE.UU 2016, Exhibition Gallery IADB Washington DC EE.UU. 2015 Andreani Awards 2015, Honorif Mention, Buenos Aires, Argentina. 2015 Selected Financial Times/Oppenheimer-Fund emerging Voices Awards. 2015 Selected Salón National of Visual Art. Palais de Glace. Argentina. 2015, Exhibition, la trampa del destello, Museo Bellas Artes Luján Argentina. 2015, Exhibition, Gualberto Hernandez Contemporary art Greenwich Connecticut, New York. EE.UU 2015, Fragmentary Gallery of Consulate Argentine in New York,solo exhibition. NY. EE.UU 2014, Salón National de Artes Visuales Palais de Glace, Buenos Aires Argentina. 2014, La trampa del destello, solo exhibition, Dacil art Gallery, Buenos Aires, Argentina. 2013 "Lo Intimo juega en el patio vecino", solo exhibition. Centro Cultural Plaza Castelli. Buenos Aires. Argentina. 2013 +2 biotextil,bioerotismo + plus, Galerie Argentine, Embajada Argentina, solo exhibition, París, Francia. 2013 XXIII Salón de Tapiz, Bienal de arte textil 2012/2013. Museo Eduardo Sivori, group exhibition. Buenos Aires. Argentina. 2013 II Salón de Imagen Textil.

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