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The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me.
The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me.
The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me.
The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.
signature: M Lazar
The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me.
The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.

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View In My Room

daughter Painting

Magda Lazar

France

Painting, Acrylic on Wood

Size: 19.6 W x 23.1 H x 0.6 D in

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$1,380

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ABOUT THE ARTWORK

The theme is simple. It's just about the idea of a daughter: Her presence, her look that makes her unique in the world. The illustration of her gaze. Serenity. She is very soberly painted. For a higher level of mystery. To halo this mystery. The chair is very schematic. There are some decorative areas in the picture, a few two dimensional and others with deepness. I made it quickly. It revealed by itself and I left it as such. I didn't want it to belong to me too much nor to treat it with mastery. I put emphasis on her hand. A breaking light. It's almost two-dimensional. The arms and legs are drawn schematically with a rough line that breaks the image. The black of the clothing only expresses the mystery, discretion and nobility to me. The portrait is painted on a wooden medium. It is very heavy. But that is in relation to the seriousness of the matter. It's like painting her on stone. (But I had no stone.) Because we want things to last. It is not framed. I would look for an equally massive and imposing frame. But connected to the space it will be put in: in style form and color.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

19.6 W x 23.1 H x 0.6 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have tried many painting styles and techniques over time. Now, I am more oriented towards exploring fine textures that we find in the real world, the richness of their diversity, seeking the expression of a world full of rich meanings, subtleties, but above all a serene vision of the world. So, I draw inspiration from the real world, but I like to transform it, adding quotes from it too, to express richness of spirit, metaphor, fantasy worlds. I am also interested in what is fragile, mince and insignificant.

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