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Painting, Gouache on Paper
Size: 10.7 W x 10.7 H x 0.1 D in
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Original design blotting "isogin" uses a lot of water, so colored water is created in some places when the work is finished. In this work, I used the color images of "yellow" for brightness, "yellow-green" for vitality, and "royal blue" for intuition to express a rope pattern by letting gravity take control of the colored water.
2022
Gouache on Paper
One-of-a-kind Artwork
10.7 W x 10.7 H x 0.1 D in
Not Framed
No
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Japan.
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◇ Birthplace Niigata City, Niigata Prefecture ◇ Current address Kawaguchi City, Saitama Prefecture ◇My own background and motivation for production Originally, we ran natural food restaurants to solve the problems of genetically modified foods and seeds. From the encounter teaching of painting mentor Takahiro Kimura※, I learned that painting can be used to convey energy to people. Therefore, even though it takes a lot of hurdles and individual efforts to solve problems such as food problems, I started working on this work, hoping that I could convey the energy for that with the paintings I drew and make an effort. It was. ※Takahiro Kimura profile➾ My work was named "Isogin " from the name of the early pattern: sea anemone (Japanese isoginnchaku). Its features are "circle", "color" and "bleeding". The intention of "Isogin" is By doing various things in a life where everything is normal, something with a taste and unexpected wonderful things are born. I want to express that "you can meet new things by taking on challenges" through "Isogin". "Isogin" gives the viewer vitality for tomorrow by expressing the characteristic flow of energy with the pattern of stains. ◇ My artistic influence and where I draw inspiration Studied under Takahiro Kimura, a painting mentor. It is often produced at Self-employed cafe after closing. ◇ Selected media / details and their reasons Use paints and acrylic paints, and paint and watercolors to create bleeding.
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