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Painting, painting on Canvas
Size: 70.9 W x 70.9 H x 2 D in
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In year 2020 an butterfly died in my hand. In this day i began with this triptychon. It symbolised for me the infinity in which we lived and died. Both paintings are full of opposit to each other. So this creates and tension; this is why i dedicated this to the greek philosoph ANAXIMANDER. The apeiron is central to the cosmological theory created by Anaximander, a 6th-century BC pre-Socratic Greek philosopher whose work is mostly lost. From the few existing fragments, we learn that he believed the beginning or ultimate reality (arche) is eternal and infinite, or boundless (apeiron), subject to neither old age nor decay, which perpetually yields fresh materials from which everything we can perceive is derived. Apeiron generated the opposites (hot–cold, wet–dry, etc.) which acted on the creation of the world (cf. Heraclitus). Everything is generated from apeiron and then it is destroyed by going back to apeiron, according to necessity. He believed that infinite worlds are generated from apeiron and then they are destroyed there again. The Triptychon consists of 2 canvasses each 100x60x5cm and an glass bell in which the died butterfly sleeps... Completely area need 200 x 200cm In this youtube video the work is explained>>> https://www.youtube.com/watch?v=Rm87DiOKtXY
2022
painting on Canvas
One-of-a-kind Artwork
70.9 W x 70.9 H x 2 D in
2
Not Framed
Yes
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Germany.
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Germany
The Turkish-born artist Hakan Mandalinci was born in Brackenheim in 1973. As an autodidact, he taught himself all art techniques through decades of self-study. Among them are many old master techniques, forgotten ones, contemporary, and self-invented ones. He applies these techniques in his series, some of which take up to 30 years to complete, such as the series INSECTORUM, which he began in 1992 and completed in 2022. His series flow seamlessly into each other, overlapping and branching out like a tree ultimately bearing fruit with his works. In his exhibition for his new series "Paradoxon 1.0", the initial works of the latest series "Paradoxon" were displayed alongside the final works of the previous series "Retro" and "Insectorum", representing an important transition for the viewer. Mandalinci now works simultaneously on two series: the series "Paradoxon", in which he depicts his experiences, fears, and passions as chain reactions in Fibonacci numbers and formats, using all the techniques he has learned and acquired. And the series "Poets", which can be seen as a continuation of his "Insectorum" series and will likely be the first to be influenced by Pop Art. Techniques: Drawings, Oilpaintings, Sculptures, Etching, Woodprint Actual series: PRADOXON and POETS Important series: INSECTORUM, RETRO, N2W2 The artist work in Germany, Italy and Turkey Contemporary site: Germany Wikipedia link:
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