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low oxide Painting

Emitt Kyle

United States

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 0.9 D in

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About The Artwork

‘low oxide’ is a return to things that inspired the first paintings of the current body of work that began to be made in April 2012. A return to the deteriorating matter, oxidizing metal, crumbling concrete, water damaged building materials, the fading paint of spray-canned graffiti; all found in the urban environment as a source and beginning point for work. A return to a form of representation in an abstract context and with an abstract aesthetic. This work (‘low oxide’) blurs between abstract and representational painting; an abstracted image of something seen rather than a purely abstract painting. An abstracted image or a representational painting of something that looks abstract within our everyday environment? The paintings concern ( or theme ) is the instability and transient nature of life and phenomena. The painting has been made by placing stretched canvas on the floor. A brush being loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint giving some surface texture; although this is quite minimal as the paint is heavily thinned. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry, and each layer of varying tonal strengths to the last, depending on texture and visual effect desired. Painting is signed, dated and titled on rear. Ready for hanging.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0.9 D in

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Born in the U.K. and although had no formal training in the arts became an art school gatecrasher at UCA (formerly KIAD) between 1995-2000. Lived in Asia from 2009 - 2018. Now lives in California U.S.A. Emitt makes abstract minimalist and colorfield paintings concerned with the instability of form; the collapse and disintegration of mass. Looking at ideas in science regarding molecular structure and concepts of existence and nonexistence found in Buddhist and Taoist philosophy. The composition of the work has been influenced by modernism and colorfield painting with an emphasis on the creation of negative space. The paintings are made by placing stretched canvas on the floor. A brush is loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry depending on texture and visual effect desired. Each layer is of a differing tonal value. Each painting is made with as limited pallet of hues as possible. The work is made with the intention to give the audience feelings of tranquility, peacefulness and calmness and a sense of commune with the universe outside and within.

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