15 Views
6
View In My Room
Painting, Acrylic on Paper
Size: 26.4 W x 38.2 H x 0.4 D in
Ships in a Tube
15 Views
6
Artist featured in a collection
Una piel que es tanto superficie ornamental como territorio a nombrar, espacio que se coloniza y se lotea. Las divisiones pueden ser inciertas, olvidadizas; islas que han extraviado su relación con el océano, trazados que subsisten apenas, velados por capas sucesivas de acrílico metalizado. El océano es inmensidad oro, cobre moneda, azul iridiscente, ocre cartografía. A veces las islas son apenas retazos, rojos coagulados en sus ansias de sensualidad que vibran estridentes en el páramo. Otras, los contornos del fragmento se distinguen apenas, como si una luz tenue los señalara un segundo antes de su desaparición. Las aristas se estiran queriendo alcanzar otras costas: extrañar el continente es una manera de avanzar. Los papeles que Adriana Carambia agrupa bajo el título “Fragmentario” tienen algo de vidrios quebrados cuyas fracciones han sido separadas y mezcladas, reliquias palaciegas que ya no saben encajar en un presente donde la belleza ha perdido la sofisticación artesanal para mostrarse siliconada y permanente. Se trata de gestos, la manera en que el gesto se silencia o todavía murmura, resiste ser aquietado. En estos grandes papeles el gesto pictórico aparece como un cosquilleo, una silenciosa rebelión que pugna por expandirse.
2020
Acrylic on Paper
One-of-a-kind Artwork
26.4 W x 38.2 H x 0.4 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Argentina
She was born in Buenos Aires, Argentina and is a psychoanalyst graduated from Universidad de Buenos Aires. Argentina My training and experience in clinical psychoanalysis has left a strong impression on my vision of art and of the world. My work is driven by the necessity to investigate the fragmentation of the human being, the body and its relationship with the world in which it inhabits. I start a work of art in an intuitive way using unconventional materials (nylon stockings, windshields from discarded cars,paraffin wax, etc), on the rigorous base that is derived from a close relationship between culture and nature, centering my look on the subject. The work methodology that I propose is fundamentally sustained by sculpture, installation and painting. The images of nature, its spirit, and its forms, as well as the erotic charges that they possess, are the triggers of the organic constructions that inhabit my work. The different media give me the possibility of representing the fragmentation (as an intrinsic and structural condition of the subject); the fragility, marks, identification and history. I represent the engimatic the body and its environment in a metaphoric way. Exhibitions, salons and prizes. 2016, Exhibition The Clemente, Manhattan, NY EE.UU 2016, Exhibition Insisting Light G.Hernández Contemporary art, Connecticut. Ny. EE.UU 2016, Exhibition Gallery IADB Washington DC EE.UU. 2015 Andreani Awards 2015, Honorif Mention, Buenos Aires, Argentina. 2015 Selected Financial Times/Oppenheimer-Fund emerging Voices Awards. 2015 Selected Salón National of Visual Art. Palais de Glace. Argentina. 2015, Exhibition, la trampa del destello, Museo Bellas Artes Luján Argentina. 2015, Exhibition, Gualberto Hernandez Contemporary art Greenwich Connecticut, New York. EE.UU 2015, Fragmentary Gallery of Consulate Argentine in New York,solo exhibition. NY. EE.UU 2014, Salón National de Artes Visuales Palais de Glace, Buenos Aires Argentina. 2014, La trampa del destello, solo exhibition, Dacil art Gallery, Buenos Aires, Argentina. 2013 "Lo Intimo juega en el patio vecino", solo exhibition. Centro Cultural Plaza Castelli. Buenos Aires. Argentina. 2013 +2 biotextil,bioerotismo + plus, Galerie Argentine, Embajada Argentina, solo exhibition, ParÃs, Francia. 2013 XXIII Salón de Tapiz, Bienal de arte textil 2012/2013. Museo Eduardo Sivori, group exhibition. Buenos Aires. Argentina. 2013 II Salón de Imagen Textil.
Artist featured by Saatchi Art in a collection
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