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series The skin of time Painting

Isabel Nunes

Portugal

Painting, Acrylic on Canvas

Size: 19.7 W x 27.6 H x 1.6 D in

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link - Artist featured in a collection

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ABOUT THE ARTWORK

This painting belongs to a series of paintings I called "The skin of time" inspired by my observation and register of phrases, paintings, graffitis, advertisings, etc. that remains after so many years deteriorated by time on buildings and walls, creating a very specific urban landscape.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Parede, Cascais. I am anthologised in the works “Contemporary Macao Artists”, Orient Foundation, Macao (1994); “Ten years of Art – Retrospective of the collection of EPAL”, published by the Water Museum of EPAL, Lisbon (1998); “Macao – 20th Century”: Dictionary of Visual Artists” (volume I), published by the Orient Foundation, Lisbon; “Isabel Nunes – A journey in painting and in life”, published by Caleidoscópio, Lisbon (2003); dictionary “Female Art – who is who in Portuguese painting in the 21st century”, publisher Anifa Tajú, Lisbon (2007), “Florbela Espanca in the painting of Isabel Nunes”, published by Caleidoscópio, Lisbon (2018). My work is represented in private and public collections, in Portugal, Macao, United Kingdom, Finland, Germany and in the collections of the Monetary and Foreign Exchange Authority of Macao, in the Waste Water Treatment Plant of Macau, in the International School of Art (Italy), in the Lisbon City Hall, in the Macao Mission in Lisbon, in the Water Museum of EPAL, in the Vendas Novas City Hall, in the Portimão City Hall, in the Setúbal City Hall, in British Petroleum Portugal, in the Mafra City Hall, in the Palácio da Bolsa (Oporto), in the Finantia Bank - head office (Lisbon), in the Eugénio de Andrade Municipal Library (Fundão), in the National Foundation of the Railway Museum (Entroncamento), in the collection of the Portuguese Institute of the Orient (Macao), and in the collection of Their Holinesses Pope Emeritus Benedict XVI and Pope Francis, (Vatican). Critics like Fernando António Baptista Pereira, Rocha de Sousa, Ana Duarte, Margarida Marques Matias, Carlos Marreiros, Fernando Conduto, Fernando Dias, Fernando Guedes, Afonso de Almeida Brandão, Luísa Soares de Oliveira, Isabel Lousada e Nuno Júdice have written about my work.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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