"Étude no. 9" from "Abstract Études - II" series Painting

Visual Artist (Abstract Painter) I work in an abstract, partly expressive style. Often, I create works unconsciously, applying automatism in the art creation process. I prefer a palette of primary colors in selected works, while some works have a wide palette. Sometimes, I use a complex and varied combination of visual elements to create a diverse, high-contrast visual-emotional map, while simultaneously leaning towards well-balanced compositions with dynamic lines. Meanwhile, some of my works are spacious, clean, and minimalist. Background Born in Buston, Tajikistan, I spent my childhood surrounded by the stunning landscapes of Central Asia, exploring the Mogoltau and Pamir mountains. Later, I relocated to Sakhalin Island, Russia, where the ever-changing moods of the Tartary Strait deeply influenced my perception of nature. Education and Career Trained in journalism, I ultimately found my professional path in graphic design. Since 2014, I've been working remotely as a freelance designer for international clients, but my passion for art has always been a constant. Artistic Journey Around 2022-2023, after settling in Batumi, Georgia, where the majestic Caucasian mountains meet the capricious Black Sea, I fully committed to my art. Acrylic is my primary medium, and my work is characterized by its abstract, dynamic, and emotionally charged style. Inspiration My art draws from the natural world, personal travel experiences, and cultural explorations. The influence of various abstract art movements and the depth of human emotions also play a significant role in shaping my visual language. Artistic Evolution I'm constantly pushing the boundaries of my creativity, experimenting with new media, color palettes, and techniques. My current focus is on exploring balance and contrast in composition and color, striving to evoke emotions through non-figurative, conceptual representations. Intent and Concept My work is entirely non-figurative, yet it aims to resonate emotionally with viewers. The creation process itself is integral to this intent, ultimately shaping the viewer's experience of the final artwork. Additional info: