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View In My Room
Painting, Oil on Canvas
Size: 39.4 W x 39.4 H x 1.6 D in
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71 Views
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Portrait of my last African model. The magic of being in love, of seeing a divinely beautiful woman next to you! it is not God who is incredible, it is all that he did, it is this meeting which does not end with his angels. Everything happens as if there was a secret link of non-freedom between certain beings, and over which we have no control when it comes back to devastate us in time and space of our life, whatever our age, our situation, our beliefs, our choices and our differences. Amber painting on canvas mounted on panel. Without frame. Signature on the back. sa séduction n'est pas dans la beauté physique elle est dans la voix, les gestes ... ça ne dépend pas des yeux qu'elle a mais plutôt de comment elle te regarde on ne peut marcher à côté d’elle sans la désirer
Oil on Canvas
One-of-a-kind Artwork
39.4 W x 39.4 H x 1.6 D in
Black
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Belgium.
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Born in 1948 in Belgium, Daniel de Saint-Yon is a Belgian writer and portraitist living and working in the countryside near Spa. He graduated as an philosopher from FUNDP in Namur and lived as an artist 16 years in Japan (until 1990). His work has been regularly exhibited in solo and group exhibitions in Belgium and Japan. Staying receptive to the history and the cultural interaction between Europe and Japan is one of his main concern. Moline’s creative process starts with sketches and drawing from life on the canvas. He paints mostly portraits (mainly women), spending a great deal of time with each subject, a rapport with his model being necessary to work. He tried several mediums but somehow always returns to amber as he finds it the ideal and enigmatic partner adapted to his needs of expression. This light oily substance of rare purity and beautiful transparency takes some days to dry out, but brightens tonnes and offers remarkable elasticity. Several thin layers of extra-fine paint will sustain for ever the ardour an bloom of color fields with strong visual impact. A patient process for a unique result ! Moline’s artistic career ( by Emmanuelle Dubuisson, in french) : « Peintre de figures, de portraits et de grandes compositions dans un style fortement graphique. Formation à Namur en Belgique avec Luc Perot, puis au Japon où il étudie la décoration et devient l'élève du Maître Ryû Oda. Il pratique ensuite la calligraphie avec le moine zen Tainin Yukimura dans un temple à Shobara. Lauréat en 1984 du concours du Kansaï à Kyoto, il participe à plusieurs expositions à Tokyo, Kyoto et Kobe, où il séjournera seize ans (1973-1990). Conjuguant les approches orientales et occidentales, sa démarche picturale sʼinscrit alors en de larges compositions volcaniques où trônent dʼépais personnages au graphisme vigoureux et dont lʼénergie vitale fait ressortir une violence expressive. Lʼœuvre porte aussi les traces dʼune calligraphie pratiquée chez les moines bouddhistes, qui se mêlent aux formes nues dans un foisonnement de taches de couleur, de courbes douces et dʼentrelacements surprenants. On y retrouve aussi des traits communs avec lʼœuvre du peintre japonais Shôhaku. Les sujets, liés au corps, souvent nus, évoquent accouchements, accouplements ou corps doubles, et allient, dans un mélange de tout et de néant, tendresse et cruauté. Comme si la violence de ces figures s'accompagnait toujours dʼune bienveillance retenue envers la vie.
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