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Asiatique Painting

Christian Develter

Singapore

Painting, Oil on Canvas

Size: 59.1 W x 66.9 H x 2 D in

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About The Artwork

This original artwork on canvas is from Christian's world acclaimed 'Chin Series'. Inspired by his extensive 2012 travels to the remote Northwestern region of Myanmar to visit the very remote tribes of the Chin area. The inspiration for this iconic modern body of work comes from the intricately tattooed faces of the Chin women, in which the series is entitled. The concept being the modern Asian face of today, overlaid with the heritage of tribal tattoos is what makes this bold contemporary series so iconic. About the Tribe – The Chin tribe and their tattoos are relatively unknown to the outside world. These different tribes in northwestern Myanmar (Chin and Rakhine State) use tattoo marks in a centuries’ old tradition to distinguish one hill tribe from another or indicate their marital status and social rank. Together with the Derung tribe in Southwest China’s Yunnan province, they are the only tribe know to adhere to this practice. Both tribes are from the same Indo-Tibetan lineage. These multiplex patterns are carved into the skin by thorns using a mixture of sap from a local plant (sourced in the jungle for the color), ash and chicken blood or buffalo kidney. According to legends, these ornate tattoos were originally done so that Burmese Kings would not be able to steal women away as wives. They have however, evolved to become symbols of strength and beauty; reflecting nature – especially the animal and plant Kingdom - and the animist beliefs of the tribe. Examples of these complex and delicate tattoos include: • Spider webs on the face • The sun of the forehead • Reptile skin on the face, especially on eyelids, nose & chin • Tiger whiskers bellow the nose • Peacock plumage fan on the forehead • Leopard dots on the face (…) For generations women have been willing to submit themselves to the pain of this art for the beauty it represents to them and their tribe. Deep in the unforgiving hills and jungle of the Chin state tattoos are still being carved on faces of young girls coming to age despite being forbidden by the government. With the opening of Myanmar’s borders, these women will soon come to represent the last of their kind.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:59.1 W x 66.9 H x 2 D in

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Christian Develter, a "global nomad" uses his canvas to portray his rich experiences of peoples and cultures from around the world. Born in Belgium, Christian has resided and worked in Asia since the mid-nineties. Christian uses oils as an instrument to portray his rich experiences of people and cultures around the world. As a highly versatile artist whose work pushes boundaries, he believes that despite cultural differences and starkly different socio-realities, there are moments that can be appreciated by everyone. These moments are the trigger of his inspiration. Christian Develter, born 1968 in Blankenberge, Belgium is one of Belgium’s emerging stars already fast-gaining a reputation within the international art scene. He initially studied art school at Ghent and was trained at the famous Antwerp Fashion Academy, soon to realize his passion for painting exceeded his love for designing clothes. Always joyful in composition, he presents a radiant kaleidoscope of shapes and forms. His choice to combine a rough passion with playful humour and bright colours recalls the artist’s view of popular fashions and trends. Uniqueness lies in his radical choice for strong colours and mixture of oils and acrylics usually preferring to combine them with bold shapes. His works are deeply powerful and compelling in the way they capture light and space in translating the painter’s desire to create large paintings. While in his early work the subject matters are more arbitrary, his more recent work is truly based on impressions experienced since his migration to Asia. Each canvas emanates layers of turbulence in impeccable style and sensuality, the approach is highly emotional resulting in a visual feast. Seeing Chris’ work offers a clearer insight into his working process for under the modish contemporary façade, lies a classical working approach re-utilizing traditional painting techniques fashioned by the old Flemish Masters, thereby continuing an ancient tradition by daring repetition and innovation.

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