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This was drawn at a live painting performance show with Mika Yamaguchi, an improvisational expressive artist, at the Forest Art Festival in Fukuoka, Japan, in 2019. The tile of the performance was "The oni and the silk worm".

Oni is translated as troll or ogre. I guess lots of Japanese people think in that way too. But, I understand Oni very differently. Oni look scary, but we don't know the inside of their hearts. Some Oni are bad, but some are good, just like people. Oni often use tough love. They try to teach us by getting tough with us. Oni are passionate and burning with love.

Anyway, Mika and I decided on the title "The Oni and the silk worm" because I'm more of a burning and extroverted type and Mika is a quiet and introverted type. We have opposite energy. But, during our rehearsals, we started to realize that Oni and silkworms are not opposites. It was like the inside is not totally the inside, but the inside is the outside too. The outside is not totally the outside, but the outside is the inside too. I know it doesn't make sense, but it made sense back then.

So, this bat is one of the drawings that I did as part of the performance. I put all of my energy and soul into the art I did that day. I hope you enjoy burning love in art.

This is drawn on paper that's glued on fabric. Not acid free.
This was drawn at a live painting performance show with Mika Yamaguchi, an improvisational expressive artist, at the Forest Art Festival in Fukuoka, Japan, in 2019. The tile of the performance was "The oni and the silk worm".

Oni is translated as troll or ogre. I guess lots of Japanese people think in that way too. But, I understand Oni very differently. Oni look scary, but we don't know the inside of their hearts. Some Oni are bad, but some are good, just like people. Oni often use tough love. They try to teach us by getting tough with us. Oni are passionate and burning with love.

Anyway, Mika and I decided on the title "The Oni and the silk worm" because I'm more of a burning and extroverted type and Mika is a quiet and introverted type. We have opposite energy. But, during our rehearsals, we started to realize that Oni and silkworms are not opposites. It was like the inside is not totally the inside, but the inside is the outside too. The outside is not totally the outside, but the outside is the inside too. I know it doesn't make sense, but it made sense back then.

So, this bat is one of the drawings that I did as part of the performance. I put all of my energy and soul into the art I did that day. I hope you enjoy burning love in art.

This is drawn on paper that's glued on fabric. Not acid free.
This was drawn at a live painting performance show with Mika Yamaguchi, an improvisational expressive artist, at the Forest Art Festival in Fukuoka, Japan, in 2019. The tile of the performance was "The oni and the silk worm".

Oni is translated as troll or ogre. I guess lots of Japanese people think in that way too. But, I understand Oni very differently. Oni look scary, but we don't know the inside of their hearts. Some Oni are bad, but some are good, just like people. Oni often use tough love. They try to teach us by getting tough with us. Oni are passionate and burning with love.

Anyway, Mika and I decided on the title "The Oni and the silk worm" because I'm more of a burning and extroverted type and Mika is a quiet and introverted type. We have opposite energy. But, during our rehearsals, we started to realize that Oni and silkworms are not opposites. It was like the inside is not totally the inside, but the inside is the outside too. The outside is not totally the outside, but the outside is the inside too. I know it doesn't make sense, but it made sense back then.

So, this bat is one of the drawings that I did as part of the performance. I put all of my energy and soul into the art I did that day. I hope you enjoy burning love in art.

This is drawn on paper that's glued on fabric. Not acid free.
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bat-03 Painting

Naoko Benom-Miura

Japan

Painting, Ink on Paper

Size: 130 W x 30 H x 0.2 D in

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About The Artwork

This was drawn at a live painting performance show with Mika Yamaguchi, an improvisational expressive artist, at the Forest Art Festival in Fukuoka, Japan, in 2019. The tile of the performance was "The oni and the silk worm". Oni is translated as troll or ogre. I guess lots of Japanese people think in that way too. But, I understand Oni very differently. Oni look scary, but we don't know the inside of their hearts. Some Oni are bad, but some are good, just like people. Oni often use tough love. They try to teach us by getting tough with us. Oni are passionate and burning with love. Anyway, Mika and I decided on the title "The Oni and the silk worm" because I'm more of a burning and extroverted type and Mika is a quiet and introverted type. We have opposite energy. But, during our rehearsals, we started to realize that Oni and silkworms are not opposites. It was like the inside is not totally the inside, but the inside is the outside too. The outside is not totally the outside, but the outside is the inside too. I know it doesn't make sense, but it made sense back then. So, this bat is one of the drawings that I did as part of the performance. I put all of my energy and soul into the art I did that day. I hope you enjoy burning love in art. This is drawn on paper that's glued on fabric. Not acid free.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:130 W x 30 H x 0.2 D in

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One day, when I was 8, I had to draw my mom as a homework assignment. After painting my mom's face. I worked on the background, adding bright red. Strangely, my mom's face looked like it shrank as I changed the background. I was shocked to see how colors change what we perceive in our minds and with our eyes. That was when I decided to become an artist. I worked on sketches, pencil drawings, and design all day from morning to night, and sometimes even in my dreams in order to enter an art college. i was able to enter art school in Tokyo, majoring in textile design, and stayed in Tokyo after college to work as a graphic designer. After 8 years of this hectic lifestyle, I felt like I was totally lost. I knew I needed to change everything right then. I chose to leave Japan, and went to Los Angeles, California, and then, to Eugene, Oregon, to work on my art and my life. I worked for a clay artist, and went to the University of Oregon to study more about art, design and English. Then, I worked at a design office as a graphic designer, and another company as a web designer. Now, I know what I was looking for when I was doing that. I was looking for the answer these questions. “What’s my relationship with design? What’s my relationship with art?” I was frustrated that I couldn’t get any answers. I began to think, “If there is a God of art, they must hate me! Fine! I hate them too!” I suffered through a year in which I could not create anything. I deeply realized I just have to keep creating art, otherwise I will be dead, even if the God of art hates me. In 2007, when I was working as a graphic designer, one of my clients misordered and gave me an illustration job, not a graphic design job. But, for some reason, I decided to take that job. That illustration job reminded me of the homework when I drew my mom back in elementary school. I felt like I finally found the answer that I was looking for the whole time! This is when I really started to be an illustrator and artist. After 9 years of living in America, I returned to Japan in 2008. In 2014, I opened an office/ workshop in a little port town in Fukuoka with people who work on town development and planning. I started to consider art from a social point of view. That was also a big turning point for me. In 2017, I started to take story classes with professor Minoru Meguro, learning the art of poetry and literature. I started to develop a broader love for the existence of art.

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